Super-sized sheets of wrapping paper printed with building facades from around the world. Wrap your gifts to create 3D buildings that come together to form mini skylines. Unique wrapping paper perfect for that special architect in your life. The best way to keep the pile of presents under the tree looking organised. Buy here.
Philippines-based illustrator Kerby Rosanes works mainly with ordinary black pens to magically illustrate his “doodle” world. The 23-year old artist considers his art as a personal hobby which turned out to be his part-time freelance work after being recognized by various design blogs, international magazines and online communities. Most of his works are characterized by whimsical lines, patterns, characters and little elements that are spontaneously combined to create massive compositions depicting his everyday experiences or anything that inspires him.
Flash your retro credentials, and brighten up that minimalist apartment with this official Tetris Light that lets you redesign your desk lamp whenever you like. Simply connect one of the bricks to the mains and then as each new brick is placed into position they will light up through some kind of magical, pre-war 8-bit Russian science.* Plus, during the day you can play a very short game of Tetris, although we’re almost certain that you won’t be able to form a perfect cube using every part.
The portfolio of Ukraine based artist Daria Hlazatova is definitely worth a look.
Isabella Kelly-Ramirez grew up in Santa Barbara California. She studied fine art at UCLA and received her BA in 2008. Isabella’s work pervades many mediums. It is a critique of pop culture and society through a lens of humor, irony and sarcasm. Cosmetic color palettes, sparkly things, liberal use of pattern texture and a healthy smattering of fashion and design are implemented to render her imagery. She works in Los Angeles.
” When I immigrated to America over a decade ago, the consumer culture that blankets this landscape took hold of me. While prevalent across the globe, it is heightened here, in the birthplace of contemporary capitalism. I adore the absurdity, both subtle and outrageous, found at every turn. As an outsider looking in, I seek to capture the ironies in the consumer landscape that Americans may otherwise be blind to. Bold colors, wide angles and jarring compositions add to the satirical tone of the work.” – Stewart Craig
” I am a British illustrator living in Vancouver who has worked across a wide variety of media including editorial, printed textile design, promotion, advertising, cd covers and branding. I exhibit work in the UK and internationally and like all things quirky, scary and surreal; drawing inspiration from dusty attic treasures, behavioural ponderings, a desolate art film or two, unnerving animals, nature and adventures.” – Ruth Munro
Daliah Ammar is a nineteen-year-old Palestinian-American artist based in Chicago, IL. Daliah is currently earning her BFA at the School of the Art Institute of Chicago. The purpose of Daliah’s work is to transcend the notion of the self and the physicality of paint, resonating from her own vulnerable and personal experiences – as a means of conveying life as it blooms and decays from within. Expressing that awareness of the self and reflecting to the viewer establishes a relationship between themselves and herself. Daliah’s works are confrontational, yet, intimate and personal – using the painted surface as a trope for the physical and psychological presence between the inner self and external viewer.
“Contemporary artist Mike Nelson transforms the white cube space which we are all familiar, into a place which can seem uncanny and eerie. When entering a contemporary gallery you expect, crisp white walls and modest architecture but Nelson transforms the white cube space into a scene which wouldn’t look out of place in an apocalyptic film. Nelson’s exhibitions preserve a minimal quality considering the intensity of the pieces. Talking about the piece, To the Memory of H.P Lovecraft (1999,2008) Nelson says, “I’ve always had a slight fear of piles of junk that function purely as decorative ephemera but only act as a signifier of a certain type of installation…I think it’s a constant worry that you’ll make this amount of effort to have something that just becomes spectacle, as opposed to something which moves somebody or encourages somebody to empathize with what you’re trying to lure them into, or coax them towards.” (FlashArtonline) Nelson genuinely seems concerned about how the spectator will receive his work. It’s apparent that he is interested in how the space operates the work and how the work operates the space and how both these issues have an effect on the spectator. The space in which art is exhibited in has been a concern for artists for years, but it’s not until recently that artists have begun abandoning objects within the space and just considered the context of the space.”
‘Atladóttir & d’Ors provides the cabinet with an imagined republic created in the realm of creative imagination. Their works evokes questions of beauty to uncertainty, that what we know is sometimes less important than what we don’t know, the island of Bellona offers a metaphor that the difference between what is real and not real is just a matter of imagination and perception.’