Beverly Semmes is an internationally recognized artist who has been showing her work since 1990. Her first exhibitions were two concurrent project rooms at PS1 and Artist’s Space in New York City. Other early exhibitions included a large installation at the Southeastern Center for Contemporary Art in Winston-Salem, N.C. and a room-scaled work made for the Institute of Contemporary Art in Philadelphia. By the mid-1990s, she was exhibiting work across the United States and in Europe. European projects at this time included solo shows at such major venues as the Camden Arts Centre in London; the Pecci Museum in Prato, Italy; and the Irish Museum of Modern Art in Dublin. She was also included in several important group shows early in her career, such as Plastic Fantastic Lover at the Blum Helman Warehouse in New York City, Bad Girls at New York City’s New Museum, and Bad Girls West at the UCLA Art Museum in Los Angeles.
Louise Hindsgavl mainly works in porcelain. Her works have a distinctly narrative expression, both when she works with one-off pieces and with more utilitarian items. She wants us to experience the multiplicity of ceramics through her work, while at the same time stimulating our imaginations. Louise Hindsgavl feels that we often let the pre- determined images of others dictate our taste. She wants to change that tradition and to this end her works often have surrealist undertones, where she produces a form of alternative reality for the viewer to enter. (via Volta 10)
João Ruas (b. 1981) is a visual artist from São Paulo. A Bachelor in Graphic Design, he has worked inside studios in the United Kingdom and Brazil before dedicating himself exclusively to personal artwork and illustration.
” I was born in Athens, where I live and work up to now. The time I spend on my art is precious and beloved and my work at it has become a big part of me. I always try through my art to ascribe emotions up to a unique approach, mine. I use mostly pencils, but I have also used oils, acrylics, pastels and watercolors.” – Christina Papagianni
Contrary to his design philosophy, it would seem that Ron Gilad’s form does follow his function. Gilad has committed his body and mind to materializing of ideas, creating design pieces of astringent thoughtfulness, wit and elegance. Currently a New Yorker, Gilad is a well-established and esteemed Israeli-by-origin designer who quickly drew the attention of curators, galleries, designers and press even while still a student at the Bezalel Academy of Art and Design in Jerusalem. A graduate of the Industrial Design Department, Gilad’s fascination with “deconstructing” the function of an object has resulted in a broad body of work, ranging from furniture to jewelry to whole interiors.
” I’m a 20 year old Photography student at Manchester Metropolitan in England. Having grown up in Newcastle one of England’s party cities and being in the North East, heavy drinking is a weekly occurrence. Whilst working taking photographs inside nightclubs you are employed to make people look as beautiful as possible. Glossing over the obvious excess which leads people to loose control of their bodies and often their morals. Then going to Manchester for University, another party city and working more it seemed to become more obvious that this non-glamorous, often quite grotesque side of going out is usher to one side, often due to the intoxicated state leaving memories of the night hazy or gone. Therefore I decided to go out and try and capture these moments which de-glamerise excess drinking. ” – Stewart Honeyman
Amazing works by Troy Galluzzi, talented freelance illustrator/concept artist based in San Francisco, California.
Food blogger Emilie Griottes created these edible Pantone swatches.
Several focal points define the work of New York-based artist Eric Cahan. Among them: light, specifically the light generated by the sun at sunrise and sunset, science, nature, and the ephemeral quality of memories. These considerations are in play when, equipment in tow, Cahan heads outside at a carefully chosen hour of morning or evening to begin creating one of his flawless, ethereal works of art. Cahan himself made most of the work for his current project, Sky Series, during his extensive travels. Each photograph and sculpture is titled with the time and location of its conception. In this way, Cahan catalogues his visual journal. “ During my travels, I discover what I want to document. My works are titled to remind me of the experience, both visually and spiritually.” Cahan’s viewers see in his work his unique interpretation of a specific time and place.