Mar 10, 2014
This are remakes of the 'Too Cool To Do Drugs' pencils
that were handed out in the 90's until people realized when you sharpened them the message changed and recalled them all.
Mar 6, 2014
(Danilo Strulato) was born in 1966 in Thiene, Vicenza. After his academic studies, he devoted himself to self publishing and collaborating with Stephen Raft Delirio comm. In the meantime, it is present in various international among which we can mention: Malefact-Use, Panik-Use, Stripburger-Slo, Ita-Interzona. Participate in 1998 to the "Subway" with Altervox held in the Milan subway, and is present with a solo exhibition in Lucca Comix. During the same year he began the long-lasting collaboration with the Mondo Bizzarro Gallery with the volume "Horrorgasmo" with the staff "The hell inside me" in 2001, and in 2003 with the book "Mater Universalis". Also in 2003, will attend the exhibition "Italian Pulp" at Luz de Jesus Gallery in Los Angeles, temple of Pop Surrealism internationally. In 2005 participates in the collective historical "Apocalypse Painting" at Mondo Bizzarro Gallery and in 2009 at the "14th Anniversary Group Show" in the same year at the MBG has always been organized a retrospective entitled "Dance Macabre." The 2009 is also the realization of the illustrations for the book written by A. Grieco "Stay Away" and Grrrzetic. Currently working with different realities and galleries national and international.
Mar 5, 2014
" My creative impulse is driven by a fascination with childhood paraphernalia: dolls, toys, fairy tales, stage sets, fun fairs, found objects mixed with whimsy. These personal recollections are complimented by the cultural heritage of Victoriana, vintage fashion, film iconography, pin-up imagery etc. We cannot escape the past and our sweet yesterdays, whether imagined or real, are my repository. Any search for particular meaning in my idiosyncratic work may not yield much. If one word were chosen to describe my paintings, it would be ‘edgy’. Superficially they may appear ‘cute’ but my intention is to unsettle, albeit subtly. As the creeping wasp on the fairy cake does." - Xue Wang
Mar 5, 2014
Growing up in suburban Sydney, Lachie Hinton
’s association with city life was not without an intrinsic value for nature. Engaging his acute sense of observation is essential in absorbing the world around him, from which he seeks to express human experience. Hinton regards honesty as the most important factor in his artistic endeavours, and seeks to reflect this through his subjects. Drawing has been second nature to Hinton, as he can remember his interest with capturing people's faces and expressions starting from a very young age. It was during this time that he realised his fascination with cartoons and the influence of hyperactive, warped animations of the 1990s on his drawing style. Finding inspiration in relationships between people, places, social situations, human interaction, and emotion, he translates conditions of contemporary life into art. It is these motivations that lead him abroad to observe and document contrasting life and culture. Working with a mixed media of ink, graphite, charcoal, watercolour and oil, he often focuses on the extreme aspects, taking aim at social issues and strewing their insides over paper and canvas.