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Alejandra Atarés Abad

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Alejandra Atarés Abad <-- Born in 1987, Zaragoza, Spain; Lives and works in Barcelona, Spain; Education: (2006-2010) B.A, Fine Arts, University of Bacelona (UB), Barcelona, Spain; (2010) University of The West of England, module Fine Arts,Bristol, England; (2011) Massachusetts College of Art and Design, MASSART, Boston, EEUU.

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Toru Kamei

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Toru Kamei was born in Tokyo in 1976. He graduated from the Nihon University College of Art with a degree in fine arts and has exhibited his works at the Fukushima Biennale (2008) and the 5th Busan Biennale (2010) as well as at several distinguished galleries in Japan including Gallery Naruyama and Gallery Gyokuei. Kamei’s works are based on the traditional model of still life painting established in medieval Europe referred to in art history terms as vanitas that represent “allegories of the emptiness of earthly life”. Vanitas paintings feature skulls that serve as a metaphor for the certainty of death, clocks that signify a limited amount of time, and rotting fruits placed within a variety of still lifes that represent affluence and luxury. They are commonly interpreted as having the intended effect of evoking within the viewer the transience of vanity; by implanting a unique world of fantasy into this style of painting, Kamei realizes a new modality of painting that surpasses historical constraints.’

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Luis Quiles

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Shown here, the work of Luis Quiles aka Gunsmithcat. His portfolio is definitely worth a view for his intriguing pieces and strong illustrations.

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Matthew Grabelsky

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” My work is not intended to be viewed as fantasy or as allegory, but rather as a blend of every-day experiences and the subconscious. My paintings are enigmatic, and they create dream-like worlds that invite viewers to form their own interpretations of the imagery presented. I paint in a highly realistic manner, derived from my studies of 19th-century French Academic painters, and I use this visual language to craft modern narratives. I place my subjects in urban settings: trains, gritty alleyways, and cosmopolitan cityscapes; then introduce a twist to create a mix of rational and irrational elements. My work is often humorous, and it straddles the divide between the serious and the bizarre.” – Matthew Grabelsky

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Sophie Smallhorn

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Sophie Smallhorn was born in 1971 and is an artist and consultant. She exhibits internationally and is commissioned by both private and corporate clients. Her work explores the relationships between colour, volume and proportion. Sophie currently lives and works in London.

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Uttaporn Nimmalaikaew

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Uttaporn Nimmalaikaew is one of Thailand’s most exciting and widely admired new-generation artists. Nimmalaikaew has developed a mixing of media that produces magical results. Each Nimmalaikaew works starts from a canvas backdrop that is set inside a deep casement, and that is then lightly veiled by multiple layers of thread and netting. The artist paints not only on the canvas but also on the thread and netting in order to create shimmering portraits and figurative scenes. He creates a depth of field that goes beyond three-dimensional space; rather, his work captures a time-space dimension in a way that has few parallels in the history of art. Yet, to put it that way is still an understatement, for Nimmalaikaew’s genius lies in the way he imagines, and is able to execute with astonishing virtuosity, what might be called a ‘meta-dimension’ that fuses time, space and spirit.

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Bicicleta Sem Freio

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Enjoy these fantastic colorful work by Brazilian design and illustration collective Bicicleta Sem Freio which translates into “Bicycle Without Brakes“.

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Kang-hoon Kang

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Absolutely incredible oil on canvas paintings by Korean artist Kang-hoon Kang.

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Loris Cecchini

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Loris Cecchini is an Italian artist based in Berlin. His work has been exhibited internationally, including in the Palais de Tokyo in Paris, the Musée d’Art Moderne de Saint-Etienne Métropole, and the MoMA PS1 in New York.

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Joanne Mattera

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” Two concerns have engaged me throughout my career: color and geometric order. The grid is the underpinning of these concerns. Within its rigor I organize repeated elements—usually a stripe or square—painting them with a succulent brush that is at odds with the reductivism of the composition. I have long referred to my work as lush minimalism, a term that’s as tongue in cheek as it is true.” – Joanne Mattera

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