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Richard Maloy

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Richard Maloy <-- Born 1977 , Auckland, New Zealand; 2000-2001 Master of Fine Arts, Elam School of Fine Arts, University of Auckland; 1996-1999 Bachelor of Fine Arts Elam School of Fine Arts, University of Auckland

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Karl Persson

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” My intellect doesn’t come into play when I am channeling something subconsciously. There is plenty of time for interpretation after a painting is finished. Whenever I look at my finished paintings it is like analysing a dream – deciphering my personal symbolic language. Although there is obviously some calculated thought behind things like compositional aesthetics, I still try to keep these decisions relatively instinctive. I find this approach far more fulfilling than when I have injected some preconceived concept into an image, which has often consequently become either stale or too obvious.” – Karl Persson

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Anna Higgie

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Australian illustrator Anna Higgie’s portfolio is influenced by fashion. Check out her site for more from this talented artist.

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Coco

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Talented illustrator based in London, Coco’s portfolio combines traditional painting and drawing processes with digital techniques for the final imagery.

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Alberto Seveso

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Amazing photos captured by illustrator Alberto Seveso by mixing varnish in a fishbowl. Check out his online portfolio. Go!

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Iain Macarthur

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Beautiful portraiture from London-based illustrator Iain MacArthur. He combines graphite and pigment pens to draw the portraits and adds unique patterns and watercolor effects to give a vivid explosion effect. He is a graduate of Swindon College in HND illustration back in 2008.

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Casa G

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Designed by Gudmundur Jonsson, Casa G is located in the outskirts of The Countryside, Iceland.

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Fernando Hereñú aka Pulpo

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Argentina-based illustrator Fernando Hereñú AKA Pulpo proves that a retro-style comic book illustration with a hint of surrealism is never out of fashion.

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David Delin

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Freelance designer David Delin aka 28162n is based in France and his portfolio is a mix of urban culture with a touch of modernity and elegance.

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Thomas Lerooy

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‘ The technique used by Thomas Lerooy, i.e. the disproportional enlargement of the head, is a typical trade mark of caricatured humour. However the result he creates, reaches much further than that of a stereotyped joke. In a highly intelligent way he plays with a number of visually contradictory propositions. By applying an almost maniacal solidity in both production and finish, as well as the use of a plinth to emphasize the artistic pretensions of the statue, he places his sculptures within the highest traditions of the sculptural art, while conversely he purposefully undermines other conventions – such as proportion, symmetry and balance. Moreover, in his hands, Thomas Lerooy moulds the monumental tradition of the sculptural art by combining a static portrait pose with captured movement, through which he creates extreme contradiction and grotesque tension. The torsos strive to represent a powerful or elegant posture, however, ultimately their poses become pathetic due to the passiveness of their busts. ‘ (via Galerie Rodolphe Janssen)

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