Mar 18, 2014
(14 January 1928, New York City – 19 March 1984, Tijuana, Mexico) was a street photographer known for his portrayal of the United States in the mid-20th century. John Szarkowski called him the central photographer of his generation. Winogrand was known for his portrayal of American life in the early 1960s. Many of his photographs depict the social issues of his time and in the role of media in shaping attitudes. Winogrand's photographs of the Bronx Zoo and the Coney Island Aquarium made up his first book The Animals (1969), a collection of pictures that observes the connections between humans and animals. His book Public Relations (1977) shows press conferences, protesters beaten by cops, and museum parties. In Stock Photographs (1980), Winogrand published his views of the Fort Worth Fat Stock Show and Rodeo. At the time of his death there was discovered about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and contact sheets made from about 3,000 rolls. The Garry Winogrand Archive at the Center for Creative Photography (CCP) comprises over 20,000 fine and work prints, 20,000 contact sheets, 100,000 negatives and 30,500 35mm colour slides as well as a small group of Polaroid prints and several amateur motion picture films.
Mar 18, 2014
The Fixie Pizza Cutter
will add a cosmopolitan touch to your Friday nights with Pizza and friends. It’s like a miniature version of the authentic Fixie bike, and features double sharp cut discs. There are two different product types: Watermelon (mint and pink) and Bumblebee (black and yellow).You choose!
Mar 13, 2014
" The erosion of cultures – and of “culture” as a whole - is the theme that runs through the last 25 years of my artistic practice. Cultures emerge, become obsolete, and are replaced by new ones. With the vanishing of cultures, some people are displaced and destroyed. We are currently told that the paper book is bound to die. The library, as a place, is finished. One might ask so what? Do we really believe that “new technologies” will change anything concerning our existential dilemma, our human condition? And even if we could change the content of all the books on earth, would this change anything in relation to the domination of analytical knowledge over intuitive knowledge? What is it in ourselves that insists on grabbing, on casting the flow of experience into concepts? When I was younger, I was very upset with the ideologies of progress. I wanted to destroy them by showing that we are still primitives. I had the profound intuition that as a species, we had not evolved that much. Now I see that our belief in progress stems from our fascination with the content of consciousness. Despite appearances, our current obsession for changing the forms in which we access culture is but a manifestation of this fascination." - Guy Laramée