May 12, 2014
As a child of the Fifties and Sixties, born and raised in Southern California, Bryan could not avoid soaking up the pop culture and angst of that time and place. He was fascinated by cheesy Sci-Fi and horror movies, super hero comics, Mad Magazine, Salvador Dali, The Twilight zone, Zap Comics, etc…….. All of those influences plus the “duck and cover” mentality of the Red Scare had their shots at a sensitive mind. In addition to the constant threat of atomic annihilation, the Civil Rights Movement, Vietnam War, and the Kennedy and King assassinations further provoked a political awareness and a sense that all is not right with the human species. At an early age art became a way for Bryan to deal with and make sense of the world. When the time came to choose an occupation Bryan studied architecture briefly but soon realized art was his best path to free expression. While attending Otis Art Institute in Los Angeles (Master of Fine Arts, 1974), Bryan took up with the early founders of the Chicano Art movement (Los Four). They introduced him to the Mexican Muralists’ work of the early 20th century and the value of a tradition of accessible work with social/political content. This realization combined with his early influences have come together in his work to create a unique and engaging brew. (Continue…)
May 12, 2014
Mari Kim was born in South Korea in 1979. She studied a Master’s Degree in Creative media, at RMIT University in Melbourne, Australia, where she lived for ten years. Now based in her hometown of Seoul, Mari Kim works as Professor of BA Digital Media at the Catholic University, South Korea, alongside her art practice. Mari Kim’s wide-eyed, pretty porcelaneous, characters, also known as ‘Eyedolls’, pay service to Japanese manga and anime culture. Often direct representations of well known political and historical figures, super heroes, or fairy tale characters they are instantly recognisable icons, popularised by western media. Mari Kim’s training in animation is understood through her use of bright, bold colours, simplified form and idealised features. With petite mouths and small noses her portraits confront fixed ideas and misogynist expectations of beauty and femininity projected by mainstream media and contemporary culture. The inhumanly large eyes are an obvious focal point in all her portraits. Decorated with Kaleidoscopic patterns, they have an almost hypnotic quality, that offer the viewer an alternative view of the world. They become windows into Mari-Kim’s all-seeing eye where reality and the virtual world are divided. The dolls do not engage with their audience, instead they look through us, distracted by a material culture that afflicts the young and impressionable of East Asia, perhaps more than any other group on the continent. Some clutch onto prized objects or wear cute feminine dress with child-like innocence, soft pinks and hazy yellows in “Marie” or “Kitty1” reinforce this sense of vulnerability. In other works, the ‘Eyedolls’ take on more assertive roles. Masquerading as Margaret Thatcher, “Iron Lady” demonstrates female strength and power, challenging ideological notions of female identity and gender inequality.
May 9, 2014
‘Skin is almost a poetry. Skin is the ‘box’ of our body. We all have different type of skin, from Extra White to Dark Black. Shooting Skin is a mind work, because you can see the soul of women or men behind the camera. Skin is absolutely private: the eye can found a secret scar, a strange mole, a wonderful curve, or a part of the body that it doesn’t like. ‘ – Winkler+Noah
May 9, 2014
Andrea Hasler was born in Zürich, Switzerland, and currently lives and works in London, UK. She holds an MA Fine Art from Chelsea College of Art & Design.Her wax and mixed media sculptures are characterized by a tension between attraction and repulsion, and highly influenced by artists like John Isaacs, Berlinde De Bruyckere and Louise Bourgeouis. Recent solo projects include ‘Burdens of Excess’ at GUSFORD | los angeles, ‚Irreducible Complexity’ and ‚Full fat or semi-skinned?’ Next Level Projects, London. Hasler’s work was recently exhibited at the 1st Santorini Biennale of Arts in Greece, 2012. Her recent solo exhibition Irreducible Complexity will be featured in the upcoming documentary Snapshots of Shoreditch, looking at the art scene in the East End of London. Hasler also chairs artist talks at Next Level Projects and regularly lectures on contemporary art, with a focus on women artist and the body, at various institutions including the Sotheby’s Institute of Art, London. Most recently, Hasler has won the Greenham Common Commission for 2014 and is currently artist in residency at Chisenhale, London.
May 9, 2014
‘The 3D Shark Ice Mold is really a nice way to get some excitment while doing things you regularly do. These are not just regular ice cubes, they are miniature ice sculptures! The scary shark in your drink is sure to add some excitement. People will love the small sharks moving around in their drinks. It is a great way to surprise visitors to your home for dinner or drinks.’
May 8, 2014
One of Indonesia’s most revered and internationally active contemporary artists, Agus Suwage has been featured in approximately 150 museum and gallery exhibitions around the world, and his works are included in most comprehensive collections of Southeast Asian contemporary art.
May 8, 2014
This series of paintings by Sean Mahan is part of a larger series of ﬁgurative paintings on wood. The paintings are social-realist graphite renderings on oak and birch, colored with thin washes of acrylic. They depict a sense of wonder at the simple inherent sweetness of the human character and its conﬂict with structures of power and control. In this series, the symbol of the “shadow person” is repeatedly used to pose questions about those “in the shadow of power,” and to pose questions about our insulated view of the impact popular consumer culture has on others.
May 7, 2014
Ausra Osipaviciute is a talented portrait, fashion and advertising photographer based in London. Check her out.
May 7, 2014
José Guerrero <-- Born 1979 in Granada, Spain; Lives and works in Madrid; Education: (2002/04) Degree in Photography from the Granada School of Art; (1997/01) Technical Architecture (Degree in Building Engineering) at the University of Granada, Spain.
May 7, 2014
” Made with a serious smile and a wry mind in Dewsbury, England Now living and working in Lucerne, Switzerland A deep wish for continued renewal and re-invention is reflected not least in my activities as an artist. My objects and installations mirror an independent minded, intellectual and emotional panorama which is a direct manifestation of the eclectic, polyvalent and curious way in which I occupy myself with anything that is any way remotely connected with the nature of being and man’s interaction with and perception of the world within and without him. My investigation of a diversity of subjects, such as death, religion and existence, is far from scientifically based but relies rather more upon a radically subjective view of me and my surroundings. I have a profound desire to communicate intricate ideas in a concise and reduced, often ironic manner, using a variety of easily (and not so easily) available domestic and adapted (p)re-manufactured materials. the confirmation and extension of self is a central theme in my work. ” – Michael Goodward