May 12, 2014
was born in South Korea in 1979. She studied a Master’s Degree in Creative media, at RMIT University in Melbourne, Australia, where she lived for ten years. Now based in her hometown of Seoul, Mari Kim works as Professor of BA Digital Media at the Catholic University, South Korea, alongside her art practice. Mari Kim’s wide-eyed, pretty porcelaneous, characters, also known as ‘Eyedolls’, pay service to Japanese manga and anime culture. Often direct representations of well known political and historical figures, super heroes, or fairy tale characters they are instantly recognisable icons, popularised by western media. Mari Kim’s training in animation is understood through her use of bright, bold colours, simplified form and idealised features. With petite mouths and small noses her portraits confront fixed ideas and misogynist expectations of beauty and femininity projected by mainstream media and contemporary culture. The inhumanly large eyes are an obvious focal point in all her portraits. Decorated with Kaleidoscopic patterns, they have an almost hypnotic quality, that offer the viewer an alternative view of the world. They become windows into Mari-Kim’s all-seeing eye where reality and the virtual world are divided. The dolls do not engage with their audience, instead they look through us, distracted by a material culture that afflicts the young and impressionable of East Asia, perhaps more than any other group on the continent. Some clutch onto prized objects or wear cute feminine dress with child-like innocence, soft pinks and hazy yellows in “Marie” or “Kitty1” reinforce this sense of vulnerability. In other works, the ‘Eyedolls’ take on more assertive roles. Masquerading as Margaret Thatcher, “Iron Lady” demonstrates female strength and power, challenging ideological notions of female identity and gender inequality.
May 9, 2014
was born in Zürich, Switzerland, and currently lives and works in London, UK. She holds an MA Fine Art from Chelsea College of Art & Design.Her wax and mixed media sculptures are characterized by a tension between attraction and repulsion, and highly influenced by artists like John Isaacs, Berlinde De Bruyckere and Louise Bourgeouis. Recent solo projects include ‘Burdens of Excess' at GUSFORD | los angeles, ‚Irreducible Complexity’ and ‚Full fat or semi-skinned?’ Next Level Projects, London. Hasler’s work was recently exhibited at the 1st Santorini Biennale of Arts in Greece, 2012. Her recent solo exhibition Irreducible Complexity will be featured in the upcoming documentary Snapshots of Shoreditch, looking at the art scene in the East End of London. Hasler also chairs artist talks at Next Level Projects and regularly lectures on contemporary art, with a focus on women artist and the body, at various institutions including the Sotheby's Institute of Art, London. Most recently, Hasler has won the Greenham Common Commission for 2014 and is currently artist in residency at Chisenhale, London.
May 9, 2014
'The 3D Shark Ice Mold
is really a nice way to get some excitment while doing things you regularly do. These are not just regular ice cubes, they are miniature ice sculptures! The scary shark in your drink is sure to add some excitement. People will love the small sharks moving around in their drinks. It is a great way to surprise visitors to your home for dinner or drinks.'
May 8, 2014
One of Indonesia’s most revered and internationally active contemporary artists, Agus Suwage
has been featured in approximately 150 museum and gallery exhibitions around the world, and his works are included in most comprehensive collections of Southeast Asian contemporary art.