Jun 15, 2015
grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995. Gibson’s artwork intermingles elements of traditional Native American art with contemporary artistic references. Thus powwow regalia, 19th parfleche containers, and drums are seamlessly merged with elements of Modernist geometric abstraction, Minimalism, and Pattern and Decoration. Here there is an echo of Frank Stella, Josef Albers, and Lucio Fontana – canonized in our current dialogue which has little or no inclusion of Native American art which Gibson provides comparable weight and equivalence. (via Marc Straus
Jun 9, 2015
<-- Born 1957 in Nagoya, Japan. After graduating the Sculpture course at the Aichi University of the Arts in 1982, he moved on to a postgraduate course, graduating in 1984. Since then he has been sculpting in wood mainly, using aluminium for outdoor works. He held solo exhibitions at Gallery Muramatsu (1996, 1998/Tokyo), Art Gallery C. SQUARE (2006/Nagoya), Andersen Park Children's Museum (2009/Chiba, Japan) and many others. As for group exhibitions, he took part in shows such as Kobe Figurative Sculpture Grand Prize Exhibition (1996/Kobe, Japan), Vogtland International Sculpture Symposium (2000/Germany), Fugaku Biennale (2001/Shizuoka Prefectural Museum of Art, Japan) and 16th Taro Okamoto Modern Art Prize Exhibition (2013/ Taro Okamoto Museum of Art, Japan). His works are on display at Nisshinnishi High School (Aichi, Japan), Haruno Fureai Park (Shizuoka, Japan), Ijiramura Sports Park (Gifu, Japan), Nishiharu High School (Aichi, Japan), Saya Primary School (Aichi, Japan), Nagakute North Primary School (Aichi, Japan).
Jun 5, 2015
has been an active contributor to the discourse in conceptual figuration in the New York area for the past 15 years. He operates the JJHS Press where his wordless book “More Than Human” was published in 2010 and the portfolio “Safety First” was published for the Shanghai Metro in 2013. Jacobsmeyer earned his BFA from the University of New Hampshire and an MFA in painting and printmaking from Yale University. He teaches printmaking, painting, and art theory at the New York Academy of Art’s Graduate School. He has taught or given lectures at over 40 Colleges and Universities around the world including RISD, Central Academy of Fine Arts Beijing, Shanghai University, Vanderbilt University, and the Pratt Institute. He received artist residencies at the Ragdale Foundation, MacDowell Colony, Roswell Artist-in-Residence Program, Anchor Graphics, Cill Rialig Ireland, Shanghai University and Mimar Sinan University, Istanbul. Awards include two fellowships from the New Hampshire State Council on the Arts, the Basil Alkazzi Award, a Fulbright Fellowship to Italy, a Pollack-Krasner Grant and a New York Foundation for the Arts Artist Fellowship. His work is housed in the permanent collections of the Anderson Museum of Contemporary Art, New Mexico, the Springfield Museum of Art, Ohio, the States of New Hampshire and South Carolina, and the Cities of Seattle and Shanghai, China as well as numerous colleges, universities and private collections. His work is available at Art Labor Gallery, Shanghai; Davidson Galleries, Seattle; Kentler International Drawing Space, Brooklyn.