Aug 21, 2015
The work of Sam Jinks
draws on our shared fascination with the human figure, a fascination that has long pervaded the history of Western sculpture. Constructed from silicone, fibreglass, resin and often using human hair, the viewer becomes suspended in an intense moment of intimacy with the work, a moment that cannot ordinarily be achieved. This is facilitated by the fact that the artist prefers to create mostly-naked works with closed or averted eyes, causing them to be somewhat complicit in our voyeuristic scrutiny. As we stare at the figures frozen in states of vulnerability – be it babyhood, old age or quiet contemplation – we glimpse our own vulnerabilities reflected back. (via Marc Straus
Aug 14, 2015
is a talented documentary style photographer based in Cape Town, South Africa. Click here
to view his website.
Aug 13, 2015
has exhibited across the country, and her drawings are in the curated flat files of Pierogi Gallery and The Boston Drawing Project at Joseph Carroll and Sons Gallery. Her recent and upcoming projects include solo exhibitions at Robischon Gallery in Denver, the SACI Gallery at Studio Art Center International in Florence, Italy, and Kathryn Markel Fine Arts in NYC. In 2012 she received a New York Foundation for the Arts Fellowship in painting, and in 2014 her work was selected for New American Paintings (Northeast edition). Her work is in the collections of Nordstrom, Progressive Insurance, the Waldorf Astoria, and the Borusan Contemporary Art Collection, among others. Recent residency fellowships include Yaddo, Bemis Foundation, and VCCA. Zlotsky holds a BA in the History of Art from Yale University and a MFA in Painting and Drawing from the University of Connecticut. She is represented by Kathryn Markel Fine Arts in New York. She teaches at the Rhode Island School of Design.