May 30, 2013
'Never have there been a knife sharpener this cute before if your idea of cute is a killer whale! You get both fun and function with this Shark Jaw knife sharpener. The bottom is designed with anti-slip material to keep it stabilized while you use it.' Link here.
May 29, 2013
is an endangered painter. The last of a dying breed, he personifies pure art. With unheralded hand skills and hellacious wit, Juan Doe redefines the parameters of bizarre genius and secular thug. Born and raised in New York City, Juan Doe has been evolving the language of interdisciplinary art and design since the late 1970’s. He is an artist who strains the boundary between painting, propaganda, polemics, and philosophical discourse in art. He encapsulated a new age aesthetic through his command of the graphic process but with the masterful execution of a painter. His images are non-negotiable, they cannot be interpreted or postponed; they exist now, for the oxygen of the viewers eyes. His works stand as testament to this artist’s brash and unwavering attempts to demand attention through an acrylic vehicle of contradiction - a showcase of the beauty and horror in contemporary art. Doe will not allow the viewer to arrive in the future with out the past. His work characterizes a fusion of form, a behavior, dictating dignity and morality through a visual medium synonymous with contemporary culture.' (via Creative Thriftshop
May 29, 2013
<-- was born in 1959, Melbourne, Australia and currently lives and works in Melbourne. He completed a Bachelor of Arts (Ceramic Design) at Chisholm Institute of Technology, Melbourne (1981), and graduated with a Master of Arts at Monash University, Melbourne (2001) where he is currently a PhD candidate in the Department of Fine Art. Among his various achievements, Michael has been the recipient of the Out of Time Grant, Australia Council for the Arts (2005); a London Studio Residency, Australia Council for the Arts (2002); the Sidney Myer International Ceramics Award (2002); and in 1995, was awarded a gold medal at the 14th International Biennale, Ceramique d'Art, Vallauris, France. Michael's work features in many private collections, as well as public collections both locally and abroad such as the Shepparton Art Gallery, Victoria; Newcastle Region Gallery, New South Wales; Gold Coast City Gallery, Queensland; Ipswich Art Gallery, Queensland; and the Chateau Museum, Vallauris, France.
May 29, 2013
The root to making perfect whipped cream or irresistible crepes is having a fresh whisk to get all the ingredients mixed together! Unfortunately you can't just pick a whisk from your garden so you should naturally use our Cook's Carrot Whisk
! Every bunny will love your new whisk and it can help make a dynamite carrot cake! The best part is that there is no watering necessary to keep this carrot alive! The wires are coated with easy cleaning silicone, and the handle is plump, cushy silicone too! Buy here
May 28, 2013
Upside Down Pastoral Scene
came out of a need to engage the issue of race in American history and culture. Race is a barely repressed issue in southern rock music and became unavoidable as I researched and completed Proposal for Monument in Friendship Park, Jacksonville, FLA in 1999. Working in a somewhat similar way to Friendship Park I constructed a large field of elements with a sound track, in this case a field of inverted tree stumps. The upside down trees are a direct reference to an earlier interest of mine- the work and ideas of Robert Smithson. However, in Upside Down Pastoral Scene the tree reference is steered toward symbolic, historic and cultural meanings. The Billie Holiday song Strange Fruit forms the central axis for the soundtrack and positions the tree as a site of unspeakable violence, the site of lynching. Further symbolic concepts and interconnections are brought out by particular musical choices. For instance the Sister Sledge song We Are Family introduces the theme of family and the idea of the family tree to the work with a nod to its producer Nile Rodgers, a former member of the Black Panther Party. Ranging across genres and historical moments, blues, gospel, hip hop, jazz, classical and funk compositions are montaged together to form a polyvalent and multi-axial narrative of U.S. history. The twelve inverted tree stumps are constructed using Hollywood prop making techniques. Each tree contains a loud speaker and is placed on a square mirror. The sound track is digitally controlled, sending music to particular trees and constructing sonic landscapes as it unfolds. Ideas of the family tree, the tree of knowledge, the symbolic significance of the parts of a tree; roots, the trunk and branches are re-oriented as various compositions play out in the tree field. Upside Down: Pastoral Scene implies that African American creativity produced and continues to produce American culture, in spite the long history of overwhelming forces deployed against it." - Sam Durant
May 28, 2013
Christy Lee Rogers
is a self-taught photographer from Kailua, Hawaii. Her obsession with water as a medium for breaking the conventions of contemporary photography has led to her work being compared to Baroque painting masters like Caravaggio. With an eye for the chiaroscuro qualities of light, her subjects bend and distort; bathing in darkness, isolated by light, and are brought to life by ones own imagination. Without the use of post-production manipulation, her works are made in-camera, on the spot, in water and at night. Her unrestrained ability to excite and inflame the senses, while provoking the audience with vivacious movement and purpose, demonstrates her prolific use of the photographic medium to transform reality. Rogers’ works have been exhibited throughout the US and Europe and are held in private collections throughout the world. She has been featured in International Magazines, including Harper’s Bazaar Art China, Eyemazing, Monaco Matin, Casa Vogue, Photo Technique and others. She lives and works in Los Angeles, California and Kailua, Hawaii.