My Milk Toof

p p p p My Milk Toof is an absolutely adorable creative project of Inhae Lee featuring the adventures of Ickle and Lardee, two baby teeth made from polymer clay. Love. Love. Looooove. p p p p

Andrew Remington Bailey

p p Check out the work of Andrew Remington Bailey, a Toronto-based screen-printing artist with subtle color palette and a healthy sense of fun. I hope to see more. p

The Sleeping Bear

p p p The Sleeping Bear is a bear-shaped sleeping bag designed by Eiko Ishizawa from Amsterdam. I would go camping all the time if I own one. Haha. So neat! p

Jamie Roberts

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Beautiful illustrations from UK-based vector artist Jamie Roberts. Fun stuff!


Eugene Parnell

p p p Eugene Parnell is a Seattle-based artist currently exploring the relationships between natural and cultural history, anthropology, and cryptozoology. His practice is fueled by his extensive travels throughout the Pacific, Asia, Africa, and the Middle East. He creates installations and interactive works that navigate the mental geographies of childhood and the politics of Natural History displays. He holds an MFA from the University of Hawaii. His work has been exhibited in Seattle, nationally, and internationally. p p p

Sam Nielson

p p p p Sam Nielson works as an artist at Avalanche Software/Disney Interactive Studios. Click here to see the rest of his tasty art. p p

Devin Troy Strother

p p Devin Troy Strother <-- Born 1986 West Covina, CA; BFA - Art Center College of Design, Pasadena; Lives and works in Los Angeles, CA p



I don't know much about Faboarts but I am dying of cute right now. Ooohhh.


Susie MacMurray

p p p p Susie MacMurray is a contemporary Manchester-based sculptor and installation artist working internationally. Process and materials-led practice, utilizing installation and sculpture. p

Beth Cavener Stichter

p p p p p p " There are primitive animal instincts lurking in our own depths, waiting for the chance to slide past a conscious moment. The sculptures I create focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms. On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension. Beneath the surface they embody the impacts of aggression, territorial desires, isolation, and pack mentality. Both human and animal interactions show patterns of intricate, subliminal gestures that betray intent and motivation. The things we leave unsaid are far more important than the words we speak out-loud to one another. I have learned to read meaning in the subtler signs; a look, the way one holds one's hands, the tightening of muscles in the shoulders, the incline of the head, the rhythm of a walk, and the slightest unconscious gestures. I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits. I want to pry at those uncomfortable, awkward edges between animal and human. The figures are feral and uneasy, expressing frustration for the human tendency towards cruelty and lack of understanding. Entangled in their own internal and external struggles, the figures are engaged with the subjects of fear, apathy, violence and powerlessness. Something conscious and knowing is captured in their gestures and expressions. An invitation and a rebuke. " - Beth Cavener Stichter p