Born May 4, 1988, Marion Fayolle grows in Ardèche and joined the Ecole des Arts Decoratifs in Strasbourg in 2006. She graduated in June 2011. This is in the illustration workshop she met Matthias Malingrey and Simon Roussin with which she founded in 2009 the journal comics and illustrations Nyctalope.
Antoine Catala is a French artist and curator whose work has been shown in Berlin, Bordeaux, Chicago, LA, London, Mexico City, Munich, New York and Toulouse; in museums such as Musée d’Art Moderne de la Ville de Paris (Paris), Mattress Factory (Pittsburgh) and PICA (Portland). He has curated exhibitions at Taxter and Spengemann (New York) and Galerie Christine Mayer (Munich).
" All of my self-portraits are made standing in front of the mirror. I am not opposed to using photographs to help me see more. They are wonderful tools, but I find my visual curiosity constantly engaged in the mirror and more often than not, shut down by the photograph. Working from photographs feels like copying the work of the camera. If I can manage to engage my eyes enough to draw from photos, I end up with a drawing of a photograph, not a drawing of the subject and I usually find the image flat and boring. For me, drawing is a discipline of the eyes; it is about seeing things honestly and feeling the brain’s influence over the eye’s accuracy." - Ian Ingram
'Apex Predator' by Dominic Young and Mariana Fantich of UK based studio Fantich & Young. 'Fantich & Young's body of work entails a conceptual and aesthetical approach to the sculptural juxtaposition of symbolic ready-made materials. Their work addresses parallels between social evolution and evolution in the natural world: Nature as model or nature as threat. Fantich & Young create art that subverts Darwin's theory of evolution and natural selection with elements of supernatural ceremonial ritual. The concepts of nature and super-nature are explored in the work. Fantich & Young view this process as Darwinian Voodoo.'
'Feher’s work is direct and often dictated by the inherent characteristics of his chosen material. “Blossom,” exhibits five bright, soft pink fans made of extruded polystyerene, notable in the industry for its “well established reputation for long-term reliability and superior resistance to the elemental forces of nature: time, water, cold, heat, and pressure.” Feher’s fans assert a monochromatic exuberance of color as their smooth-skins glow with reflected light. The accordian-like form has uniquely manufactured, hinged pleats that effortlessly support the exaggerated scale of these featherweight sculptures.' Link here.
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