homepage

Michael Murph’s Gun Country

 photo tumblr_ncs5mbjhH71qdt6e2o1_500_zpsa0da7e65.jpg

 photo IMG_5631_zps07685517.jpg

 photo tumblr_ncs5mbjhH71qdt6e2o5_500_zps9c112c14.jpg

‘Artist Michael Murph has created Gun Country, a site specific installation that consists of 130 toy guns for the open art competition ArtPrize this year.’ Link.

 photo tumblr_ncs5mbjhH71qdt6e2o2_500_zps380eea92.jpg

 photo tumblr_ncs5mbjhH71qdt6e2o4_500_zps992b359b.jpg

Hikari Shimoda

 photo tumblr_mr619sYXND1r1ljcro1_1280_zps21a5c9b3.jpg

 photo tumblr_mr61apvggw1r1ljcro1_1280_zps5cbc2eba.jpg

Based in Nagano, Japan, Hikari Shimoda first studied illustration at the prestigious Kyoto Saga University of Art and Aoyama Juku School before beginning her career as a contemporary artist in 2008. Soon afterward, Shimoda was selected for her first solo exhibition at Motto Gallery in Tokyo, and since then has held exhibitions annually in galleries worldwide, spanning Japan, the United States, Canada, and Milano, Italy. Shimoda’s artwork paints a world where cuteness and horror coexist, and fantasy meets reality. She credits the Japanese pop culture she grew up with as the main source of inspiration of her Lowbrow “Irasuto” style, which means artwork made by people inspired by anime and manga. There are often children putting on heroic costumes such as Superman and “shojo” or magical girls, an anime sub-genre of young girls who use magic. Through depicting children especially, Shimoda reveals the problems people in today’s society struggle with from within. Children possess a simple existence because their identity is ambiguous which provides her with an original point of view. In her “Whereabouts of God” portrait series of other-worldly horned children, she also comments on Christianity’s anointment of Jesus Christ as savior of humanity and mirror of our fantasy heroes. These characters not only represent heroism but an adult desire to watch our children grow and defend the world we have constructed. With each new piece, Shimoda advances her search for salvation and her deeper understanding of this chaotic world.

 photo tumblr_mib2zcSF1d1r1ljcro1_1280_zpsc0533897.jpg

 photo tumblr_mib2xni39m1r1ljcro1_1280_zpsda4f7b02.jpg

Victor Safonkin

 photo 0-energyofmilk_zps0a86bf09.jpg

 photo 0-onlyyou_zpscac3c48e.jpg

 photo 0-hydra_zps7cdd3170.jpg

Victor Safonkin (born August 22, 1967 at Saransk) is a surrealist painter. Victor Safonkin’s work is self-described as Eurosurrealism or European classic surrealism & symbolism. His work is redolent of Salvador Dalí or more particularly Hieronymus Bosch. Victor’s work has been highly acclaimed and in 2005 he was invited to exhibit at the European Parliament in Brussels. The rock band Killing Joke used his Inhuman Rearing as an album cover in 2006. Viktor Safonkin is featured in the 2007 Venus and the Female Intuition, published by SALBRU. Safonkin has been called “one of the most brilliant artists I have seen in a long time” by master Surrealist Professor Ernst Fuchs.

 photo storm1_zps41480a7e.jpg

 photo 0-progresideas_zps14394d6c.jpg

Huy Lam

 photo DSCF02401_zps6f7df6c0.jpg

 photo DSCF02521_zps7c985ffb.jpg

 photo DSCF05521_zpseda4c50d.jpg

 photo DSCF05581_zps51af19ad.jpg

” My latest expression are these light sculptures that I’ve created. The idea came about when I was left with a bunch of edison bulbs after different DIY build and while hanging out with a friend, I’d noticed he had a bunch of offcut wood laying around. Using the wood as the base, I drilled holes for the bulb(s) and dowels and played around with compositions. I wanted to create a sense of atmosphere and I did this by using different width and length dowels. A perception of depth and space is also created by the shadows. I hope you enjoy them.” – Huy Lam

 photo DSCF03161_zps5ea86ec1.jpg

 photo DSCF03371_zps7408cbf5.jpg

Matt Sheridan Smith

 photo MSS_17_zpsd7f01d41.jpg

 photo MSS_18_zps4d059e10.jpg

With a practice that includes photographs, found objects, text, video-projection and sculpture, Matt Sheridan Smith manipulates a variety of mediums to address notions of authorship, the readymade, originality, and value. Considering the value of artist’s labor, its relevance within a historical context, means of self-portraiture, and the precarious relationships between language, objects and representation, Smith employs ready-made, standardized or prescribed material to reveal the poetic effects of seemingly banal content, technologies, or conventions. As a platform for critical discourse, his practice is specifically designed for the fluid exchange of ideas between artist and viewer, viewer and art. In The Front Room, Smith presents a new suite of text paintings and sculptures derived from a game in Julio Cortazar’s 1963 novel Hopscotch, in which characters join the dictionary definitions of two homonyms using a conjunction such as “isn’t that.” Creating a false equivalence through proximity and a set of found poetry, these generative texts seek simultaneously to objectify the original word and force it to disappear in the face of its meaning. In presenting these texts–one from the novel and one by Smith–with a series of sculptural analogs and correspondences that give no indication as to which came first, Smith complicates the relationships between text and illustration, object and caption. (via Contemporary Art Museum St. Louis)

 photo MSS_19_zps5e1e2281.jpg

 photo img4840_zps09e8c466.jpg

Jon Eisenmann

 photo tumblr_n4q278DLc71tarovuo4_1280_zps1d0c70dc.jpg

 photo JE-The_Scream_zpsd49ce568.jpg

 photo tumblr_n4q278DLc71tarovuo5_1280_zpse01821eb.jpg

” Pop culture fuels most of my work, and I tend to be drawn towards women in the public eye. My debut solo exhibition “American Beauty” is a collection of oil-on-canvas portraits of beautiful, talented, and troubled women in the public eye whose well-documented struggles have been proliferated across the media worldwide. Lindsay Lohan is a central figure in the collection, as I personally relate to her issues with addiction and self-destructive behavior- as well as her perseverance and talent. The images in my paintings aren’t always flattering, but they are all beautiful in my eyes. I try to use color, sensitivity, humor, and honesty in my paintings to convey these women as I see them. By having an empathetic (though not always sympathetic) eye, I’m able to make something beautiful out of images that have been widely considered ugly or damaging.” – Jon Eisenmann

 photo tumblr_n4q278DLc71tarovuo6_1280_zpsec2ae3d6.jpg

 photo JE-Side_Effects_3_zpscb31acf2.jpg

Benoit Paillé

 photo 55fa85d3b3c6d0735d819853ff633fd0_zpse3278572.jpg

 photo 21fcd385e9bb06e7e21b4fda26f9c05d_zps60c9e58d.jpg

 photo ae5a74db2757e40b78ad13eb119a9224_zps22cc9486.jpg

 photo fe553e419b6b4e5f18c5193090eb1bb9_zps6d4b35a5.jpg

” The photographic performance of this project is to overlay a material reality with a virtual one, erasing the border between the two worlds. It is a response to the proliferation of visual projects that take place in virtual spaces. It is a questioning about the notion of border and territory. A mix of two distinct realities into a single image. I want to show that we can use a virtual space in conceptual photography and approach these areas with the same sensitivity as the physical space. “- Benoit Paillé

 photo dc0ffb29b778a802812c70a1243aa5bc_zps6b39611b.jpg

 photo 8af08bdab015a0f40ee63ce53f642d9c_zps43d68d8c.jpg

 photo 622270fd9be12611b6746f3b32d5a7f2_zps9d704839.jpg

 photo e16ff11c7e09b8e09112bde851256f03_zps18a891dc.jpg

Richard Wright

 photo 12781_zpsee149a34.jpg

 photo 12780_zps4df69f70.jpg

 photo 12782_zpseb408224.jpg

Richard Wright continues his work with York Glaziers Trust – Britain’s oldest stained glass conservation studio, who have a special connection to the medieval windows at York Minster. For this project he has made four leaded glass skylights in the ceiling at Aird’s Lane. Utilising the four rectangular skylights, Wright’s new work incorporates handmade, blown glass and leading, following a complex design developed by the artist. In response to the horizontal structure of the skylights, Wright has adapted the technique initially employed in his recent commission for Tate Britain’s eastern windows, in the Milbank foyer.’ (via The Modern Institute)

 photo 12788_zps61ec199e.jpg

 photo 12779_zps1bb252ef.jpg

FriendsWithYou

 photo Light-Cav-Friendswithyou-Standard-Hotel-NYC-MBFW-SS15-Art-1_zps8dba93a1.jpg

 photo tumblr_nbzaa5qJLQ1qzfjmqo4_r1_500_zps6a2f6fc6.png

 photo tumblr_nbzaa5qJLQ1qzfjmqo5_r1_500_zps07ba1577.png

FriendsWithYou is the fine art collaborative of Samuel Borkson and Arturo Sandoval III, working collectively since 2002 with the sole purpose of spreading the positive message of Magic, Luck, and Friendship™. As artists working in a variety of mediums, including paintings, sculpture, large-scale experiential installations, public playgrounds, published works and live performances, FriendsWithYou’s mission is to affect world culture by cultivating special moments of spiritual awareness and powerful, joyous interaction.

 photo Untitled-1_zpsdebc7585.jpg

 photo FriendsWithYou-The-Standard1_zps927ca071.jpeg

Gigi Barker

 photo chairback_zps4b86cb2a.jpg

 photo bothpieces_zpsd00c225f.jpg

 photo stoolwithtop_zps932bc3e7.jpg

A set of furniture designed by Gigi Barker made to look (and smell) like blobs of human flesh. “Barker’s skin chair and skin stool set were created as part of a project called A Body of Skin, where she studied the ‘texture of skin and the shape of the body’, exploring ‘the intricate subtleties and varieties of the skin surface and the volume of the flesh’.” More here.

 photo chairfront_zps3b7fcd30.jpg

 photo designsandme_zpsb0ce4edd.jpg