Nov 2, 2015
" I see visual art as a method of measuring and reflecting the world and our place in it. Like the written or spoken word, it is a system for elucidating that which evades our immediate understanding. There is a contemporary compulsion to impose trends and to forecast even the most ephemeral and unpredictable of things through the endless collection of data. Though this has yielded great social/scientific/economic fruit, it may be ill-suited to deal with the absurdity of human interaction. Images that work entirely outside the world of reason may be better-suited to telling the story of how we act and interact. I have tried, in my work, to create a mythological vocabulary outside of traditional religious or historical systems. Characters are set outside of identifiable context (they cannot be placed in time or located in a particular culture) but their faces are real, familiar, human faces that may remind the viewer of a neighbour or a friend (though, admittedly, gone terribly wrong). The primary aim is to evoke an emotional response and, then, to allow the viewer to speculate on the narrative. Why are these people here? How did they get this way? What are they doing to each other?" - Peter Shmelzer
Oct 30, 2015
Amsterdam based painter Femke Hiemstra
’s meticulously tight, jewel like mixed media paintings and exquisitely rendered black and white drawings are homes to a dark fairytale land where inanimate objects come to life and frolic with animal neighbors. Lollipops become ship captains, strawberries become giant wrestlers, and vegetables become Halloween gods with lantern eyes. Femke occasionally uses typography in her work, using words from various languages and letters in her paintings to further enhance the narrative while still retaining a playful sense of mystery, or as a visual device to frame in the scenery, as if you were looking at her world through a secret window. She also uses found objects to paint on, such as boxes and wrappers, to create imaginary products with magical properties.Drawing from a range of influences, from firework wrappers to Japanese woodblock prints, Femke’s use of both pop culture detritus and child-like fantasy create a vibrant playground for the imagination, with each piece looking like a portal for a fantastic adventure, which is left up to the viewer to imagine the story that lies inside. (via Roq La Rue
Oct 29, 2015
, also known as Marie-Esther, is an entirely self-taught artist from Milan, Italy. Since 2009 she dedicates her free time from medical studies and work to improve her skills in the field of traditional art, mostly using mixed media on paper. Inspired by many artists, such as the old italian classics but also the most contemporary ones, she has always shown a strong wish to find a style and identifiability of her own. Curious and creative, she focuses on depicting ethereal and overlapping images, in order to visually represent the intricacy of human nature, psyche and emotions. Her works have been often described as exquisitly surrealistic, oniric, touching and intense.
Oct 28, 2015
(b. 1980 Boston, MA; raised in San Francisco, California, USA) earned a Bachelor of Arts from Bard College in 2004, and a Master of Fine Arts from the Yale School of Art in 2006. His notable group exhibitions include New Photography 2009 at the Museum of Modern Art in New York, and Greater New York 2010 at MoMA PS1. He is the Author of Still Lifes, Portraits, and Parts (Mörel, 2013), Flowers and Shadows (Onestar Press, 2011) and Flying Pictures (powerHouse Books, 2009). He is the winner of the 2014 Foam Paul Huf award, and exhibited his work in a solo exhibition at the museum in 2014. Gordon has been a critic in photography at the Yale School of Art. He is represented by Wallspace in New York City, and lives and works in Brooklyn.
Oct 27, 2015
- Born in 1954 in Gornji Milanovac. Educated in Gornji Milanovac and Belgrade. Since 1989, he has been living and working as a free-lance artist. He has taken part at several group exhibitions, including the Forth International Biennial of Miniature Arts in Gornji Milanovac (1996). He has also had solo Exhibitions in Belgrade (1994 – 1998 - 2001), Gornji Milanovac(1995), Geneva (1996) and Cacak (1999). Mirkovic` is a representative of a fantastic figurative confession in Serb Art, a composer of a self-created and personified visual myth. He is an obvious lunar painter, a kind of storyteller expressing himself in paintings. It is impossible to omit and reject certain literary aspect in the domain of fantastic painting. This visual alchemist of an inner space balances between reality and daydream. Mirkovic`’s paintings is a closed work housing a universe of sand watches, seashells, dolls, keys, hangings, and small wooden chests being a symbol of harmoniae mundi. The space at his painting is esoteric underground more alike metaphysical embodiment than concrete metaphysical reality. Vlada Mirkovic`’s painting emits the feeling of persecution, dreary loneliness and pettiness of human essence in the sand ocean that swallows everything. This artist paints the dark night of a soul discussed by mystics.