Catherine Chalmers



Genetically engineered mice by Catherine Chalmers, a New York-based multi-media artist and photographer.




Genetically engineered mice by Catherine Chalmers, a New York-based multi-media artist and photographer.



Photos from the Faces series by Halie Cochran, a Savannah College of Art and Design graduate. Click the link to view more of her work.


I can’t begin to tell you how much I adore the colored fire hydrant (shown above) Thank you, Ferrell McCollough!





Kate Bernauer is a photographic and video artist and cinematic designer who lives and works in Brisbane, Australia. Her work is embedded with implied narratives that are inspired by dreams, myths and tall stories.


Honey, Sweet Station’s very own, is launching her photography portfolio site called 100 Sugar Hiccups, on her birthday no less. Happy Birthday Honey!!



With photography, lighting is everything. It can either make or break your subject. As evidenced by photographer Mark Mawson from Sydney, Australia, he created these wonderful photos by simply dropping paint in water using clever lighting. He’s taking “aqua artistry” to a higher level.
Visit Mark’s website and you’ll soon appreciate a wide variety of photographic artform; from fashion to portraits, from personal to editorial. I’ve also included some photographs of women in beautiful flowing dresses who make drowning look seductive and haunting at the same time.





Solve Sundsbo is a Norwegian photographer who lives in London. So amazing. Links here, here and here.




Margriet Smulders <-- Born 1955 BirthBussum, Netherlands. Lives and works in HomeNijmegen. Known for her photographic floral portraits.





” I developed a situation so that various subjects could be defined by the constraints of exactly the same mechanical apparatus. The scenario consisted of someone passing through a subway turnstile. At the moment that the subjects passed through the turnstile, unknown to them, I took their picture stationed at a distance of eleven feet. I stood there turning pages of a magazine observing subjects out of the corner of my eye, waiting for only the moment when they pushed the turnstile bar to release the shutter. ” – Bill Sullivan (born 1965, lives and works in New York, photographer)
