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Jan Dunning

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” My photographs are made with a pinhole camera, offering an unsettling, enigmatic perspective on the “natural” world. The work exploits the ambiguous and transformational stance of the pinhole photograph to present confrontations between fiction and reality, the possible and impossible, the natural and unnatural.” – Jan Dunning

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Massimo Vitali

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Massimo Vitali is a photographer, born in Como, Italy in 1944. Vitali studied photography in London; he first worked as a photojournalist in the 1970s and then worked later as a movie camera operator. His more recent work is fine art photography. For many of his works, Vitali stands on a podium four or five meters high, and uses large-format film cameras to capture high-resolution details over a broad expanse in locations such as beaches.

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About Face by Sage Sohier

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“About Face” by Massachusetts-based photographer Sage Sohier, is a series of portraits of people with facial paralysis.

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Water Wigs by Tim Tadder

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Water Wigs is a dynamic set of images using exploding shaped water balloons lit with a triad of colors, to create incredible splashes on the heads of bald men. The result is interesting and arresting “wigs” of water.

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Heat Recovery by Oliver Pauk

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” The most significant way in which humans waste energy is in the form of heat. In North America, nearly half of the energy produced is released from our products, processes and buildings, directly into the atmosphere and the water system. Waste heat recovery is the process of harnessing this thermal energy and re-using it. I have chosen to photograph heating, ventilation and air conditioning units and to use the effect of thermal imagery in order to portray their huge potential for heat recovery. Estimates state that in the U.S., waste heat recovery has the potential to satisfy forty percent of total energy requirements. Operating at this level would save the American economy roughly 150 billion dollars per year and would, simultaneously, decrease greenhouse gas emissions by twenty percent; the equivalent of taking every passenger vehicle off of the road.” – Oliver Pauk

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Juliette Bates

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Histoire Naturelles is a series of conceptual photos by Juliette Bates, French photographer who lives and works in Paris.

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Kyle Monk

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Kyle Monk has an elegant and unique style blending minimalism with story telling. His work specializes in a range of expertise, covering a broad gamut – from conceptual and fine art to documentary. A perfectionist, he believes his education will never be complete and lives to challenge his talents. Kyle’s easy going personality and modest demeanor give comfort and the confidence to all the subjects he works with, even if they have never been photographed professionally before. He is constantly reinventing himself, collaborating with other artists on personal projects and always pushing the bar of photography.

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Katherine Wolkoff

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Katherine Wolkoff‘s photographs have been exhibited widely in the U.S. and abroad at venues including Danziger Projects, Bonni Benrubi Gallery and the New York Photo Festival. This spring, the Sasha Wolf Gallery will exhibit a solo show consisting of Wolkoff’s photographs and video. Her photographs are included in the collections of the Addison Gallery of Art, the Norton Museum of Art and the Yale University Library and her photographs have been featured in Aperture, Twice and Frieze. Born in 1976, Wolkoff studied American History at Barnard College and received her MFA in photography from Yale School of Art in 2003. She lives in Brooklyn, NY. Wolkoff’s advertising clients include Dell, Gold Peak Tea, Steuben Glass, Sharp, Black Rock and Jack Spade. Her editorial commissions include photographs for The New York Times Magazine, Real Simple, More, New York, The New Yorker, Newsweek, Time, Bon Appetit, Teen Vogue, Paper and Monocle among many others.

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Jefta Hoekendijk

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Jefta Hoekendijk, 23 years old, mixer of his passion for photography, painting and digital art. His work is essentially based on the body by the insertion of different textures or image dressing.

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Time (Wall Street) by John Clang

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A series that involves recording a location, to show the passing of time in a montage style. There is a sense of intimate intricacy of how time moves, and how people, albeit in a different time, are actually closer to one another and traveling in the same shared space. I’ve always been intrigued by the constant subtle changes in my urban environment. Every subtle shift affects my feelings and thoughts, hence my images respond acutely as a poetic reflection of myself in this environment. Working on this series, I explore how time moves in this seemingly static urban space. The people become the moving energy flowing through this space, marking the changes, forming the time. These images also explore my fascination that there are probably many time dimensions in this universe. We may have a ‘life’ that exists similarly on a different path, one minute before or after the one we’re living now. We merely just exist in this current dimension, and sometimes when time paths collide, we have déjà vu experience. Link here.

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