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Penelope by Tatiana Blass

 photo f1087756649_4_zps03d663e3.jpg  photo tumblr_mnhgluB9jk1qgo2o2o5_500_zps72368245.jpg  photo f960281591_4_zps978e86b7.jpg The work consists of a 14-meter long red carpet extending from the chapel entrance to the main altar, where its end is attached to a hand loom equipped with foot pedal, thus giving the impression that the carpet weaving is under way. On the other side of the loom, tangled yarns are stretched out to pass through holes in the wattle-and-daub wall and reach the outside area. The red yarn takes over the greenery of the museum garden, covering the lawn and climbing shrubs and trees. In this process, it creates an ambiguous movement of construction and de-construction, in a reference to the Greek myth of Penelope. Link here.  photo f421787879_4_zps59feba74.jpg  photo tumblr_mnhgluB9jk1qgo2o2o1_500_zpsd12bea0a.jpg  photo f501116328_4_zps4f584957.jpg

Ling Jian

 photo 1-1201091AR7_zps7b6e4654.jpg  photo 1-1201091A529_zps8109ee6e.jpg  photo 1-1201091AU2_zpsaa250d44.jpg Ling Jian was born in the Shandong Province of China in 1963. He graduated from the Qinghua University Art College and has exhibited his work in Germany, Bangkok, Amsterdam, and Italy.  photo 1-1201091A209_zpsab0d3880.jpg  photo 1-1201091SR6_zps1ee8dfad.jpg

Break-Through by Thomas Hirschhorn

 photo 2013_break-through1a-524x700_zpsdc221a0f.jpg  photo 2013_break-through3-546x700_zps4d940327.jpg  photo 2013_break-through5-466x700_zps450600fe.jpg " Break-Through is the title of this collection of sculptures. It is a new form of sculpture, composed by several pieces which follow one another in the gallery space. This new form of sculpture hangs from the ceiling, from above, falls from above. The floor and walls stay unblemished, as they are too perfect to allow any intervention on them, a break-through is not possible. The only place that makes it possible is the ceiling. That is how Break-Through has found its place. The ceiling is not only the sole available place – it is also the place from which gravity exerts its force majeure. It is the sense of gravity that makes it fall from above. And it is from above that a breakthrough is possible downwards. The opening is the evidence of the collapsed, broken ceiling. The breakthrough occurs by a force from above, due to an external force, a force that does not stop. This could be a water leak, a flood. The ceiling broke down, fell down and with it everything that it was hiding over my head – the unspoken and the hidden chaos. It reveals everything I did not see. And brutally, through the force of gravity, everything is poured, all is revealed and offered to the eye. The invisible operational mechanisms are revealed and become visible. It’s up to me to see into the chaos and be alert and awake. Making the invisible visible – thanks to the law of physics – is what Break-Through does and shows. It is a ‘critical’ sculpture, a ‘critical’ corpus. This break that comes from above cannot be avoided, is irresistible. This sculpture, this break, this ‘critical’ corpus will fall over my head, I cannot save myself from its new logic, its relentless logic. The force majeure has no mercy and forces me to see. I have to raise my head, I have to open my eyes wide and face what I do not want to see. This is the logic, the form and the mission of this sculpture. " -Thomas Hirschhorn  photo 2013_break-through5-6-435x700_zps29f606a3.jpg  photo 2013_break-through1b-524x700_zps0f370399.jpg

Tiësto by Honey

 photo t1_zps268020a0.jpg  photo t2_zps430b2f27.jpg I was already a big fan of Tiësto's music, but I feel like his newest tracks have really come a long way. Please check out my Tumblr which I update regularly with new illustrations, sculptures, and other fun stuff. Make sure you take a look. Link here.  photo IMG_5168_zps39f76092.jpg

Katy Horan

 photo 86_hysteric-2-detail-1_zpsaccd255c.jpg  photo 86_hysteric-2_zps726c61fc.jpg  photo 86_hysteric-2-detail-2_zps0817bdb6.jpg " My work examines female roles and representation found throughout history, art and mythology. I pull from a variety of sources, using mixed references and visual fragments to build new variations of familiar figures. My hope is that the image will be at once identifiable and ambiguous, inviting the viewer’s own imagination and past experiences to inform their interpretation. Research plays a large role in my work. I derive visual reference and ideas from film, literature, the internet and countless other sources. I then filter and combine fragments of imagery and information absorbed from this research through an intuitive process. This allows me to explore subject matter and interests that range from Victorian spinsterhood to Renaissance portraiture to the archetypal witch figure. I also work to incorporate imagery from the books and movies that affected me as a child. By working organically, and moving between repetitive detail and loose experimentation, I am able to bring these varied sources together as singular characters." - Katy Horan  photo 85_hysteric-1_zps85072fd6.jpg  photo 85_hysteric-1-detail-2_zps91f3eb06.jpg

Sang Won Sung

 photo kiss3_zpsc20ccd24.jpg  photo mickey1_zpsfd2de3af.jpg  photo batman3_zps0a314a7b.jpg " Plastic containers, parts of toys, doll's arms and legs, screws… all sorts of things surrounding us in our modern daily life are what I need to make my figures. These stuff, ordinary and with nothing special, are my favorites because they belong to my intimate environment. Plastic is my chosen material because it gives a modern flavor and a profusion of colors that no other material seems to offer. So, it relates better with the “pop dolls” that I seek to materialize.” The artist re-works the objects he chooses into many quirky amalgamations before a piece is ever complete and he is satisfied, “I’d like to distinguish my work from what is commonly taken as art under the sign of recycling. For, the objects that effectively take part in my pieces have undergone a lot of reflection and trials in different combinations. Different objects with their diversity of forms are gathered in a new kind of rendezvous bringing about a new thing, although, basically and at first sight, it is easy to say which objects are there." - Sang Won Sung  photo kiss1_zps22c2ab69.jpg  photo batgirl_zps3862edf5.jpg

Ricky Jay by Glenn Kaino

 photo Hammer_3_zps8454dfbc.jpg  photo 450_zps4314643f.jpg 'The magician, actor, writer, and collector Ricky Jay is rendered here by Glenn Kaino in playing cards, one of the tools in Jay’s magician’s quiver. Kaino studies the history and practice of magic as a parallel to art making: both artists and magicians develop finely honed skills to create illusions that rely on their audience’s willing suspension of disbelief. This homage to the widely respected Jay is a nod both to op art and to the magician’s long-held card-throwing record. From certain angles, the work appears as a jumble of planes and colors, but from just the right vantage point, the cards coalesce into Jay’s unmistakable visage'.  photo Untitled-1_zps7a5140fa.jpg  photo 5040691481_8b69319177_z_zpsfaf7b7e9.jpg

Philippe Mayaux

 photo Philippe-Mayaux-Sans-titre-srie-Savoureux-delle-2006--Privatsammlung-Paris-Courtesy-Galerie-Loevenbruck-Paris_zps979c9e85.jpg  photo P_Mayaux_T_as_du_feux_Litho_photo_65x80_30ex_Edite_chez_Clot_BRAMSEN_Paris_zps9137a725.jpg  photo savoureux_3_full_zpsfa41df08.jpg  photo 31_zpsebe8fd2e.jpg Philippe Mayaux is a French artist born in 1961 in Roubaix. He lives and works in Montreuil. Mayaux has been active since the early 1990s and his works are rather gaudy and often contains erotic or sexual content. He was awarded the Prix Marcel Duchamp 2006, awarded “for the originality and the joyous and ambiguous multiple meanings of his work”.  photo pm_002_zps0d0ddcc7.jpg  photo Philippe-Mayaux-savoure-le-Prix-Marcel-Duchamp-2006_reference_zps1fff1e52.jpg  photo P_Mayaux_Expo_Juillet-Aout_2005_zps9ef3be7a.jpg

Pete Ryan

 photo 8_wall_v2_zpse291c41d.jpg  photo 8_1digitalv2_zps55709488.jpg  photo 8_backpack_zps649cea92.jpg Pete Ryan is an illustrator. He works with acrylic paint, silkscreens, block prints, and airbrushes to make his work. He works insanely long hours, but that's what makes him happiest. Pete has won some awards and been recognized in some industry annuals - I'm sure you can guess which ones. He loves coming up with solutions to problems and will likely shock you with the amount of ideas he provides for each project. Pete also loves Boston Terriers and Middle Earth.  photo 8_shaker_v2_zps5ab3e0ad.jpg  photo 8_alawyerdolls_zps06a245b2.jpg

Ernesto Burgos

 photo 21_kwg-burgosover-something-else-2012-v3_zpsa410bec7.jpg  photo 21_kwg-burgosthe-talk-that-counts-is-the-talk-that-doesnt-matter-2012-v3_zpsde85ae48.jpg  photo 21_kwg-burgosthe-talk-that-counts-is-the-talk-that-doesnt-matter-v3-2012_zpsafa7afc9.jpg  photo 21_kwg-burgosbeverly-still-hangs-around-2012_zps1818ecff.jpg Ernesto Burgos was born in 1979 in Santa Clara, CA while exile with his family from Chile. He later moved back to Vina del Mar, CL, before returning to the US for college, where he received his BFA from California College of the Arts. In 2004 and his MFA from New York University in 2008. Burgos currently lives and works in Brooklyn, New York.  photo 21_kwg-burgosinstallation-view_zpsb546babe.jpg  photo 21_kwg-burgosin-separate-activities-2012_zpsfa44a6fb.jpg  photo 21_kwg-burgosinstallation-view-v3_zps7b419737.jpg