Aeron Alfrey



Aeron Alfrey creates unique imagery inspired by strange fantasy worlds filled with monsters magic and death. His art has been published in numerous books and shown in galleries around the world.








Aeron Alfrey creates unique imagery inspired by strange fantasy worlds filled with monsters magic and death. His art has been published in numerous books and shown in galleries around the world.





Check out William Trebutien, 2D and 3D animator, director, and visual developer based in New York City.
Hankang Huang < Born in 1977, Suzhou, Jiangsu, China; Lives and works between Paris, France and Suzhou, China.



Don Kenn was born in Denmark 1978. He Writes and direct Television shows for kids. He has a set of twins and not much time for anything. When Don Kenn has time he drwas monsterdrawings on post-it notes… it is a little window into a different world, made on office supplies. (via linesandcolors)




” I connected a gas generator and air compressor to buckets of paint and secured them into the seats of a Scrambler amusement park ride. Once the ride was in motion, paint sprayed out of the benches onto vinyl tarps placed underneath. The result is a series of enormous hypocycloid designs which recorded the hidden patterns created by the ride as it turned.” – Rosemarie Fiore
Peter Howson has established a formidable reputation as one of his generation’s leading figurative painters. Many of his paintings derive inspiration from the streets of Glasgow, where he was brought up. He is renowned for his penetrating insight into the human condition, and his heroic portrayals of the mighty and meek. His art is described by Robert Heller as “founded in Humanity, especially the human face” (via Flowers Gallery) Showcased here are his drawings.
Joshua Webb is an Australian born visual artist (1981), who has exhibited across Australia, the USA and Europe. His artistic practice has been in parallel to his academic pursuits; BFA, Curtin University, Australia, MFA – Sculpture, Rhode Island School of Design, USA, and his experience working as an industrial designer for a select group of prototype engineering or technology firms. Webb’s practice to date explores the oscillating frontiers of an unknowable thesis in relation to art. The work reflects an ongoing philosophical expedition that transverse a wide selection of meta-data sourced from history, language, culture, politics, technology and capital. With each artistic endeavour Webb embodies theory as form, the resulting sculptural and filmic containers left behind become the debris of an endless philosophical negation.
Melissa Hartley is an artist, graphic designer, cat lover, tea drinker, Francophile, movie and music lover with a terrible sweet tooth. She graduated from the University of Western Sydney with a BA (Distinction) in design, minor in illustration. Her compositions vary from simple still-life studies, to confrontation figures against undefined backgrounds, in a dream-like state. Others highlight the turbulent relationship man has with nature. Each subject is attractive yet somehow disturbing. She desires to create images of beauty and mystery that allow the viewer to find their own personal significance in them.



“Shotoshop is a devout team of visual zealots who pride [themselves] on conjuring the new, the unimagined and the fantastical: ‘In our offices, furiously snipping silver scissors give birth to a thousand paper feathers, crazy caffeine dreams turn into flashing pixel rainbows and the most ambitious flights of fancy, become our proudest moments.’”


Adolescence and superficiality are major inspiration sources for Petrus Heeren. Why do we strive eternal youth, why do we copy our idols, why do we communicate more but more impersonal … these are just a few questions the artist asks himself frequently. By bringing together, what seems commonplace ingredients, the focus is placed on our less beautiful part, revealing an oppressing tension. Petrus Heeren uses photography, tapestry, but also porcelain, skateboards, etc…but the medium is always linked to the works’ function. Text by Michaël Verheyden