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Stefan Behlau

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Stefan Behlau <-- Born 1979, Zurich, Switzerland; Education: B.F.A. 2006, Pratt Institute, Brooklyn, NY

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Chad Wys

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” I was born in Illinois in 1983 and I continue to live there today. Despite always having had the urge to grab a crayon or a camera, I’m something of an apprehensive artist. It has taken time for me to grow comfortable with the notion of sharing my work with others. As my voice has grown stronger, with ideas and critiques, I have found the prospect of sharing experiences through art quite advantageous. Through the reflexive extension of my own personal exploration of the field, many of the conversations in my work are about art itself. What does art mean to me? What purpose does it serve in my life and in the lives of others? What are the “boundaries” of the art experience? Are there any?” – Chad Wys

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Katharine Morling

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Katharine Morling is an award-winning artist working in the medium of ceramics. She set up her studio in 2003 and has since gained international acclaim for her work.

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Chris Slabber

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” Inspired by the works of Alberto Seveso, I created my own series of paint in water sculptures. The idea behind this series was to show that from Destruction comes Creation. As the paint falls there is a constant point of creation, but at the same time it destroys itself. ” – Chris Slabber

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Thierry Carrier

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Thierry Carrier (Born in 1973 in Corrèze) works with sensitive art more than with perceivable art. His painting is the reflection of his own aspiration to silence. Indeed, his figures (which are often a representation of himself) are not established in a recognizable geographical space. His painting are willingly untitled. These unusual codes made of him an artist different from the others portraitists. In front of several arrangements, the spectator can discover a world of silence, an uncluttured representation of humains, an impenetrable figure with an inexpressible poetry. (via Twentytwo Gallery)

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Markus Leitsch

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Markus Leitsch explores the complex relationship between cultivation and domestication. What is the source and the motor of human creation transforming our environment? There is a desire for perfection and immortality humans project on technology, but what are the consequences and the monstrosities resulting from it? His at times deft and morbid installations, videos and photographs using stuffed animals and explicit sexual imagery are somewhat related to the tradition of the art movement ‘Wiener Aktionismus’, while he develops his very personal adaptation of it.

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Alex Prager

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Alex Prager (born November 1, 1979) is an American art photographer and filmmaker who lives and works in Los Angeles. Her photographs primarily use staged sets and models to create “film-like” images that invite a myriad references, not only to the history of Hollywood and photography, but also the cinematic image in art contexts. The subjects of her works, exaggerated and costumed, some times “hyper-real” speak to the ambiguity of seduction and spectacle.

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Karen Ösp Pálsdóttir

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” I create my paintings by dissecting my images into multiple digital layers, creating an accumulated image over time. The process always begins with a black silhouette of the portrait and finalizes with small white transparent marks. My subject is my surface and the process is a silent performance. The Paintings I make are derived from the documentation of the silent performances I perform with my subjects. The layered paint on my subject’s face develops into a mask which represents the projected layered personal history of the subject. When my subject discards their painted mask, it represents a self supporting individual growth, a release of the self, a shedding of self-projections and a reclamation of the self.” – Karen Ösp Pálsdóttir

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Markus Linnenbrink

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Markus Linnenbrink was born in Germany in 1961. He attended Gesamthochschule in Kassel as well as the Academy of Fine Arts in Berlin. His work is included in the permanent collections of The Hague Ministry of Culture, the Hague, Netherlands; Harvard Business School, Cambridge, MA; Harvard College, Cambridge, MA; the Hood Museum of Art, Dartmouth College, Hanover, NH; Museum Neue Galerie, Kassel, Germany; the San Francisco Museum of Modern Art, San Francisco, CA; the San Jose Museum of Art, San Jose, CA; UCLA’s Hammer Museum, Los Angeles, CA; Wellesley College, Wellesley, MA and the West Collection, Oaks, PA, among others.

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Sandra David

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” At the formal level, the round is a key concept. I hope that one is attracted to my pieces, that one has wanted to touch them. It is a form that welcomes the hand and calls for contact: feminine and soothing. The circle is the symbol of all, the basic form which includes all others, and therefore, the basic theme that includes all the others. ” – Sandra David

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