Oct 7, 2014
With a practice that includes photographs, found objects, text, video-projection and sculpture, Matt Sheridan Smith
manipulates a variety of mediums to address notions of authorship, the readymade, originality, and value. Considering the value of artist's labor, its relevance within a historical context, means of self-portraiture, and the precarious relationships between language, objects and representation, Smith employs ready-made, standardized or prescribed material to reveal the poetic effects of seemingly banal content, technologies, or conventions. As a platform for critical discourse, his practice is specifically designed for the fluid exchange of ideas between artist and viewer, viewer and art. In The Front Room, Smith presents a new suite of text paintings and sculptures derived from a game in Julio Cortazar's 1963 novel Hopscotch, in which characters join the dictionary definitions of two homonyms using a conjunction such as “isn't that.” Creating a false equivalence through proximity and a set of found poetry, these generative texts seek simultaneously to objectify the original word and force it to disappear in the face of its meaning. In presenting these texts–one from the novel and one by Smith–with a series of sculptural analogs and correspondences that give no indication as to which came first, Smith complicates the relationships between text and illustration, object and caption. (via Contemporary Art Museum St. Louis
Oct 3, 2014
is the fine art collaborative of Samuel Borkson and Arturo Sandoval III, working collectively since 2002 with the sole purpose of spreading the positive message of Magic, Luck, and Friendship™. As artists working in a variety of mediums, including paintings, sculpture, large-scale experiential installations, public playgrounds, published works and live performances, FriendsWithYou’s mission is to affect world culture by cultivating special moments of spiritual awareness and powerful, joyous interaction.
Sep 29, 2014
’s art is driven by his interests in perception, movement, embodied experience, and feelings of self. Eliasson strives to make the concerns of art relevant to society at large. Art, for him, is a crucial means for turning thinking into doing in the world. Eliasson’s diverse works – in sculpture, painting, photography, film, and installations – have been exhibited widely throughout the world. Not limited to the confines of the museum and gallery, his practice engages the broader public sphere through architectural projects and interventions in civic space.