Javier Pérez

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His works are characterized by a certain syncretism, both in the method and materials used. Sculpture, photography, drawing, video and performance are used independently as well as together to create installations where interaction and exploration are essential. With his work, Javier Pérez reveals his inquiries and reflections on mankind, using a language full of intense metaphor and imbued with a strong symbolism. His works contain an intrinsic dialectic, showing how weak can be the boundary between concepts seemingly opposite such as the natural and the cultural, the inside and the outside or life and death.

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Rafael Ochoa

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Rafael Ochoa’s sumptuous digital paintings are made using a unique rendering process he has developed over several years. Focusing on select elements drawn from images of Old Master paintings that he finds online, Ochoa creates new works that infuse the beauty of historical art with a subtle postmodern flare.

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Guy Laramée

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” The erosion of cultures – and of “culture” as a whole – is the theme that runs through the last 25 years of my artistic practice. Cultures emerge, become obsolete, and are replaced by new ones. With the vanishing of cultures, some people are displaced and destroyed. We are currently told that the paper book is bound to die. The library, as a place, is finished. One might ask so what? Do we really believe that “new technologies” will change anything concerning our existential dilemma, our human condition? And even if we could change the content of all the books on earth, would this change anything in relation to the domination of analytical knowledge over intuitive knowledge? What is it in ourselves that insists on grabbing, on casting the flow of experience into concepts? When I was younger, I was very upset with the ideologies of progress. I wanted to destroy them by showing that we are still primitives. I had the profound intuition that as a species, we had not evolved that much. Now I see that our belief in progress stems from our fascination with the content of consciousness. Despite appearances, our current obsession for changing the forms in which we access culture is but a manifestation of this fascination.” – Guy Laramée

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Jana Brike

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” I was born in year 1980 in Latvia, a small country in the North-East of Europe, which was at that time under soviet occupation. My inspirations have been as diverse as: folklore fairytales, children book illustrations, imaginative soviet animation films and supernaturally real classical painting; the colorful forbidden rare secret imagery of the western pop culture surrounded by mystical, almost religious tone for us, soviet children; the terrifying war and deportation stories that my grandparents, and their little brothers and sister witnessed as small children; pompous alienated eerie atmosphere of the catholic church ceremonies, and the breathtakingly beautiful ballet performances in the opera house, where I was taken since the age of two etc. – all the bitter-sweetness and irreality of the every day. But most of all, life is my inspiration. The way I comprehend it, and myself. People are my inspiration. The state of a human soul – dreams, longing, love, pain – that is what my visual images are about. ” – Jana Brike

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Wael Shawky

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Wael Shawky was born in Alexandria in 1971 where he lives and works. ‘Based on extensive periods of research and enquiry, Wael Shawky’s work tackles notions of national, religious and artistic identity through film, performance and storytelling. Whether instructing Bedouin children to act out the construction of an airport runway in the desert or organizing a heavy metal concert in a remote Egyptian village, Shawky frames contemporary culture through the lens of historical tradition and vice versa. Mixing truth and fiction, childlike wonder and spiritual doctrine, Shawky has staged epic recreations of the medieval clashes between Muslims and Christians in his trilogy of puppet animations – titled Cabaret Crusades: The Horror Show Files (2010), The Path to Cairo (2012) and The Secrets of Karbala (2014) – while his two-part film, Al Araba Al Madfuna (2013), uses child actors to recount poetic myths, paying homage, rather than mere lip-service, to the important narratives of yesteryear.’ (via Lisson Gallery and Serpentine Galleries)

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Meriem Bouderbala

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Meriem Bouderbala was born in Tunisia. She studied painting and engraving at the school of Beaux-arts in Provence from 1980 to 1985 and completed a national diploma in the arts. Meriem moved to London in 1986 to study engraving at the Chelsea School of Art. Since 1986 Meriem has exhibited her artwork frequently in both France and Tunisia; including exhibitions of her veils in Lyon (Galerie Olivier Houg, Lyon, 1998). In Tunisia Meriem has exhibited her work a number of times both in Sidi Bou Said and central Tunis. Group exhibitions have taken her as far as Washington where she participated in an exhibition of Women in the Arts at the National Museum of Women in the Arts (1994) and at the Museum of Contemporary Art in Lisbon. Meriem continues to exhibit her work widely and a number of pieces can now be seen as part of the permanent collection of the Arab World Institute in Paris. Meriem’s work has received wide recognition and she has won a number of prizes and important commissions. In 1993 she won the prize for best artist at ‘Art Junction International’ in Cannes and in 1997 the ‘Espace Paul Ricard 1997’ prize. Meriem has completed a number of public commissions for the Tunisian Minister of culture, ELF Foundation (Paris), the Arab World Institute (Paris) and the French Institute of Cooperation (Tunis). Her work has also appeared as illustration in a number of books including the poems of Tita Reut.

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Bas Waijers

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Lovely works by Bas Waijers, a talented Brooklyn based Dutch illustrator and Senior UX designer. Check it out guys.

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Martine Feipel & Jean Bechameil

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Martine Feipel & Jean Bechameil mainly produce installations that react to the context in which they are presented. From drawings and sculptures that serve as models, the couple tries to create spaces; by crossing and fragmenting volumes, they recreate a dislocated, rickety universe that is, a priori, completely illogical.

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Fred Calmets

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Fred Calmets is a self-taught artist born in 1976. He lives and works in Poitiers, France. From the beginning he practiced making graffiti with spraying aerosols on walls. He has participated in numerous collective workshops and worked with galleries since 2005. In 2009 Fred decided to dedicate himself to painting. The “women painting” collection expresses the female beauty with its both sides – it is severe and delicate at the same time. (via Feather Of Me)

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Rebecca Louise Law

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Rebecca Louise Law is a Floral Installation Artist and has been working with flowers for over 17 years. She trained in Fine Art at Newcastle University, England. Rebecca’s work plays with the relationship between the human being and the ephemeral nature of flowers. She is best known for her interactive large scale installations of hanging flowers within site specific spaces.

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