Lynda Howitt's lifelong love for the ocean is reflected in her paintings. Her work radiates a warmth that is compelling, perhaps due to the universal qualities of her subject matter, but also because of her unique vision, in which the opposite elements of nature are successfully merged as to become a single entity. There is a sense of weightlessness and light that embodies her work. Artworks of softly modulating hues, lifting highlights and strokes suggesting clouds or waves breaking, the sea and sky are interwoven, barely distinguishable. She has less interest in depicting specifics of nature than in evoking a sense of emotion.
Aisha Zeijpveld (1983) obtained her degree at the Royal Academy of Art in The Hague. Living in Amsterdam she works as freelancer for a variety of commercial magazines, while continuously pursuing her personal work. Zeijpveld’s focus on people their nakedness and vulnerability yet simultaneously their potency and pride characterizes her photography. She aims for the absurd, allowing her photographs to be posited on the interface of reality and dream-world, while always maintaining their functionality and clarity.
Kayan Kwok is an artist, illustration and a graphic designer based in Hong Kong. Vintage, retro, pin up, collage are the keywords for her works, she also is fascinated by the advertisment duing the 1920 – 1960 in American. Therefore her work reflected certain element from back then but then she also added some graphic design element, which make it different from traditional collage.
Eckart Hahn was born in 1971 in Freiburg/Breisgau. Eckart Hahn has had numerous shows in many German and American galleries. His works are parts of prestigious collections in Europe and North America. In 2005, he received the Prize of the Artists Association in Württemberg.
Roger Hiorns’ sculptural work generates and inhabits interstices between dissentient ideas: construction and destruction; the theological and the technological; temporality and permanence; authoritarian control and organic spontaneity. His objects are threaded with an unease that ties them, and our experience of them, to the amorphous, unrelenting global anxiety which suffuses our everyday understanding and reality. (viaLuhring Augustine)
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