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Upside-down House

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‘A house on display at the All-Russian Exhibition Center in Moscow is built to resemble a typical European summerhouse with one exception — it’s upside down. Visitors will discover that even the curtains and contents of the fridge all have been installed upside down, appearing in an unusual perspective.’ Link here.

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Jeannie Phan

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” I’m Jeannie Phan, a full-time freelance illustrator who specializes in conceptual editorial work. Originally hailing from the prairies of Canada, I’m now based in a studio in Toronto’s West End. When I’m not drawing, you can catch me making zines, nerding out or being an amateur plant photographer. I also like to swim and hang with my cool cat studio mate, Odin.” – Jeannie Phan

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Nicola Samorì

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Nicola Samorì is an artist steeped in the tradition of 17th century Italian painting and sculpture, but with a determinedly contemporary stance. His allusions to the inspiration of Old Masters reveals how Samorì shares with them an idea of creating something new out of what already exists by means of artistic transformation. Works such as his figurative busts and sculptures made from wax push the tradition almost as far as possible from the idealized vision of Ancient Greece and the Renaissance to become deconstructed representations of classical sculpture. Nicola Samorì was born in 1977 in Forli, Italy, and lives and works in Bagnacavallo. He has exhibited widely both internationally and in the UK including solo exhibitions at Kunsthalle Tubingen, Germany and Santa Maria delle Croci, Ravenna. He featured in the Italian Pavilion at the 54th Venice Biennale. (via Rosenfeld Porcini)

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Rajesh Kargutkar

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” I am interested in the tension between reality and representation of existence. I feel inclined to talk about the relationship between obsessions and detailed observance. The works that I do are project based which uses a process of reconstruction and fusion to examine the chaos of the regular city life. I like to experiment with different media like painting, photography, sculpture and video. A choice of media for particular idea is the important part in the process of my work. I always think about the control and releasing point, static and moment. My research area is specific everyday moments in which the consumer world repeats itself. The idea of construction, deconstruction and reconstruction of space; in a way tries to reduce the complication of visualizing my work. I want my work to lend visibility to such minutiae that often tend to get overlooked in the course of grandiose representations and this traumatic mark to be sensual, perfected, mechanical, a controlled gesture.” – Rajesh Kargutkar

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Fintan Magee

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Fintan Magee is an Australian street artist known for his murals throughout Queensland and later in New South Wales. Magee grew up in Queensland and gained a reputation as a graffiti artist before obtaining a Fine Arts degree and moving to Sydney. He now works out of “The Tate Gallery” above the Toxteth Hotel in Glebe. He received national acclaim for his mural depicting Felix Baumgartner in Brisbane. Described as “Australia’s Banksy”, Magee’s work is recognised for its lack of a political message, compared to other street artists, and its humour.

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Brian Donnelly

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I stumbled across this fantastic work today of Brian Donnelly. Very, very nice.

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Monica Piloni

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Amazingly creepy-beautiful sculptures by Monica Piloni, an artist based out of São Paulo, Brazil. Click here to view more of her work.

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Jutta Koether

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Jutta Koether (born 1958) is a German artist, musician and critic based in New York and Berlin since the early 1990s. Koether’s paintings are exercises in color, line, form and pattern and often feature text. Her style has precedent in the work of Sigmar Polke and Kenny Scharf. She is also inspired by artists and intellectuals who have created an alternative to mainstream culture, including underground filmmaker Kenneth Anger and musician Patti Smith

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Franco Clooney

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Hyper realistic pencil drawings by self taught Italian artist Franco Clooney.

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Gabriel Kuri

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Gabriel Kuri (Born 1970 in Mexico City) ‘creates visually refined sculptures, collages, installations, and photographs, working from repurposed natural, industrial, and mass-produced objects (insulation foam, shells, soda cans, and stones, to name only a few). In Kuri’s work, which is often responsive to its exhibition site, questions of form and the nature of sculpture are of equal importance to more social, political, and economic concerns regarding the circulation of commodities (artworks included) and information within a global market.’ (via Hammer Museum)

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