homepage

Korehiko Hino

 photo 36e40a1ecc04603d8f777172d5049c2c_zpssv7ftinj.jpg  photo KOROSIYA_zps41ijwkes.jpg  photo H3896-L08913976_zpsr1fcdste.jpg Last blog post goes to one of my favorite artist: Korehiko Hino. Thank you everyone for your love and company for the last 8 years. It's been surreal and one heck of a journey. Goodbye:( P.S. All the post will remain for now.. korehiko-hino06 h3896-l06879151 0601_hino_3

David Murray

 photo unnamed-5_zpsm3jv2kyd.jpg  photo unnamed-2_zps78ejev1y.jpg  photo unnamed_zpszserzlws.jpg David Murray is an Irish designer and illustrator currently living in London. He has sketched the runway collections of designs like Balenciaga or Givenchy, donned by your favorite movie characters. (via Headstuff)  photo unnamed-4_zpsn5qy85rk.jpg  photo unnamed-3_zpsnw28i2hv.jpg  photo unnamed-1_zpshfsczfvl.jpg

Holly Curcio

 photo unnamed-5_zpsuwo6ihma.jpg  photo unnamed-4_zpsq8etry0f.jpg  photo unnamed-2_zpsyd56drus.jpg " There is more to everyday life than meets the eye. Thoughts and interactions fill the day, but what is really going on here? I am inspired by a space just below the surface, where the mind starts to wander. Creating figure sculpture gives me a chance to communicate the subtleties of being human. The need for playfulness reoccurs often and unexpectedly. I want my work to draw the viewer in with a sense of the familiar, only to be left with endless possibilities.My recent series, From Inside the Birdhouse, explores a relationship between humans and animals, coexisting and merging as outer expressions of the self. Small ceramic figures wearing masks take on the personas of animals and assume their mannerisms. I think of these as masks that conceal the face the world sees, and reveals the persons true state of mind. On a doll-like scale these pieces become miniature worlds where one could imagine creating their own stories." - Holly Curcio  photo unnamed-3_zpskzdrrtct.jpg  photo unnamed_zpsq9s2htcw.jpg

Zemer Peled

 photo New_Years_Best_Dreams_5_zps7b5nsff7.jpg new_years_best_dreams_4  photo New_Years_Best_Dreams_8_zpsst8jfyok.jpg new_years_best_dreams_3 Peled was born and raised in a Kibbutz in the northern part of Israel. After completing a BA (Hons) at the Bezalel Academy of Art and Design in Jerusalem she graduated with an MA (Hons) from the Royal College of Art. In recent years her work has been featured nationally and internationally in museums and galleries including Sotheby’s and Saatchi Gallery-London, Eretz Israel Museum-Tel Aviv and the Orangerie du Senate, Paris among others. Zemer Peled’s work examines the beauty and brutality of the natural world. Her sculptural language is formed by her surrounding landscapes and nature, engaging with themes of nature and memories, identity and place. Her works are formed of thousand of ceramic shards constructed into large-scale/small-scale sculptures and installations.  photo Flowered_Lions_6_zpsppfnxp2l.jpg  photo Flowered_Lions_1_zpszpf8tbpe.jpg  photo Flowered_Lions_5_zps341bqdhs.jpg

Peter Harris

 photo unnamed-5_zpsqooqqw2q.jpg  photo unnamed_zpsn3r0xsu7.jpg  photo unnamed-4_zpsazeqskag.jpg " In the decade that I’ve painted the urban landscape, one name is consistently mentioned when people first encounter my work: Edward Hopper. Hopper is the genre defining painter of the urban landscape whose iconic oeuvre casts a long shadow over all artists inspired by the modern city. In the exhibition Hopper’s Shadow I confront his legacy by meticulously recreating in miniature his historic paintings and encapsulating them in a contemporary urban landscape. Each of Hopper’s anachronistic visions of the city are subsumed by the contemporary architecture with which I use to frame them. Through working with Hopper’s imagery I’ve entered into a dialogue with my acknowledged predecessor and challenged myself to continue to connect the urban landscape with a contemporary audience." - Peter Harris  photo unnamed-3_zpsiaqoua4n.jpg  photo unnamed-1_zpsiwzfrfka.jpg  photo unnamed-2_zpswyegcpxz.jpg

Philippe Tyberghien

 photo Screen Shot 2016-09-27 at 6.47.06 PM_zpsnr1utjwx.png  photo Screen Shot 2016-09-27 at 6.47.14 PM_zpsuc9rcrfd.png  photo Screen Shot 2016-09-27 at 6.47.01 PM_zpsb2sjctog.png " I am a Franco/Belgian artist who works in photography and makes them look like old paintings (old or less). Let me introduce you to my creative universe composed as a "cabinet of curiosities" populated by animals dressed and proudly posing in a setting built for them. Far from the stereotype of hunting trophy, my bestiary speaks of the character, the temperament of the beast. Severe in uniform as the lion, gentle and docile sheep in collar renaissance, females are charmers and male dandies, proud and majestic as the fowl in the middle of the farmyard." - Philippe Tyberghien  photo Screen Shot 2016-09-27 at 6.47.20 PM_zpscq5y94x8.png  photo Screen Shot 2016-09-27 at 6.46.54 PM_zps8le1gbyz.png

Mi Ju

 photo unnamed-1_zpsnpw7rnyu.jpg  photo unnamed_zps4b7cbaez.jpg  photo unnamed-3_zpsggunsv3s.jpg " My work is an improvisation in liminality: between dream and concretized, ancient and contemporary, Korea and the West, ephemeral and eternal, the uncensored and codified. Each character, pattern and energy reflects states of consciousness that are revealed in the creative act, a form of both improvisation and organization wherein the uncensored is working in concert with momentary, yet specific compositional organizations. It is my intention that the work will be a place of meeting between memory, dream and fantasy, and concretized into meaningful visual terms." - Mi Ju  photo unnamed-2_zps3njzezmv.jpg  photo unnamed-5_zpscyq5khqg.jpg  photo unnamed-4_zpsih30mydk.jpg

Henn Kim

 photo unnamed-4_zpspvawypuu.jpg  photo unnamed-1_zps2ij8gdg4.jpg  photo unnamed-2_zpswixdrise.jpg Go check out the online portfolio of the wonderfully talented Henn Kim. Link.  photo unnamed_zpsgkd3vlir.jpg  photo unnamed-3_zpsq6c2yows.jpg

Ken Lavey

 photo unnamed-2_zpsmsytog4s.jpg  photo unnamed-3_zps7s43epjx.jpg " This work comes from the kind of ultra male spaces that I have been photographing for years. Hardware stores, garages, second-hand electronics stores, the ubiquitous junk drawer. These places are especially fertile ground. The primary decision in making these compositions is determining the object’s ideal view. Which way should these objects point themselves? Should it be looked at from the front? From behind? In what direction should its extremities protrude? Does it matter which is the front or which is the back? These decisions allow the objects to be fully described, and to establish interesting resemblances and associations. What color could complicate things? What kind of textures and surfaces could be in conversation with the subject? I consider what other objects I have, and how their interactions can create evocative combinations. How can I use space and light? These decisions emphasize and confuse the thing’s function and scale. The work is nourishing and debauched. The photographs transform these unexpected objects, their original use is obscured. They’re new. These things are freed from the confines of their original purpose and interpretation." - Ken Lavey  photo unnamed-1_zpstavyg9sz.jpg  photo unnamed_zpstykhlnw9.jpg

Tim Hawkinson

 photo unnamed-2_zps3iz8wmvo.jpg  photo unnamed-1_zpsy6saueso.jpg  photo 1_zpsrsggsbfu.jpg Tim Hawkinson is a multi-media artist whose intricate, poetic works explore nature and the human experience through inventive use of materials, form and imagery. Hawkinson has been featured in many exhibitions around the world including the 1999 Venice Biennale, the 2002 Whitney Biennial, and solo exhibitions including The Hirshhorn Museum, Washington, D.C.; The Whitney Museum, New York; Los Angeles County Museum, Los Angeles; J. Paul Getty Museum, Los Angeles; and the Museum of Contemporary Art, Sidney.  photo unnamed_zpshvdgkb8q.jpg  photo unnamed-3_zpsixbcdh8k.jpg