BTV Branch Innsbruck

Photobucket Photobucket Photobucket Photobucket This four-storey building, for European bank BTV by Austrian architect Rainer Köberl 'suggests a chessboard, but also has something of the white snow-covered mountains that surround Innsbruck'. Link here. Photobucket Photobucket

The Havøysund Tourist Route

Photobucket Photobucket Photobucket Photobucket 'Norway’s Havøysund Tourist Route is a beautiful concrete structure located in the High North where the country’s sprawling mountains meet the Arctic Ocean. Designed by Norwegian Architects, Reiulf Ramstad, the twisting structure is equal parts art and function by serving as an unconventional ramp leading visitors through the rugged terrain down to the water. It’s also one of Norway’s 18 national tourist attractions encouraging visitors and locals to slow down and take in the country’s natural beauty.' Photobucket Photobucket Photobucket Photobucket

Ant House by mA-style Architects

Photobucket Photobucket Photobucket Loving this minimalist residence in Shizuoka, Shizuoka Prefecture, Japan designed by the Japanese firm, mA-style Architects. More here. Photobucket Photobucket Photobucket

Aqua Tower in Chicago

Photobucket Photobucket Photobucket At 82 stories and over 1.9 million sf, Aqua Tower is one of few high-rises in the world that creates a community on its façade. With a hotel, apartments, condominiums, parking, offices, and one of Chicago’s largest green roofs, this multi-use tower demonstrates both architectural and technical achievements. Its outdoor terraces—which differ in shape from floor to floor based on criteria such as views, solar shading and dwelling size/type—create a strong connection to the outdoors and the city, as well as form the tower’s distinctive undulating appearance. (Architects: Studio Gang Architects) Photobucket Photobucket

The Hive Apartment by ITN Architects

Photobucket Photobucket Photobucket Photobucket Photobucket The Hive Apartment was designed by architect Zvi Belling of ITN Architects. This site was specifically selected for a graffiti/architecture project. The ideas in the building have been refined over time by the designer in prior competitions, publications and collaborations with street artists. The architect developed the project with his neighbour (aka Prowla), a respected old school Melbourne graffiti ‘writer’ who contributed the design of the graffiti letters. The external precast concrete walls of the apartments are inscribed with these letters and other hip hop iconography. The graffiti relief panel spells HIVE written in ‘wild style’ with some initiation into the cultural codification of letters being required to decipher the words. These external geometries directly determine the interiors and have been extruded into living spaces in bulkheads and wall shapes. There are inherent tensions in the building where graffiti complete with spray drip effect has been created without any paint and an anti-establishment art form has been situated in an exclusive inner city residential suburb. These tensions are resolving over time as respect for the building spreads within the graffiti community and the local residents begin to claim ownership of their new street art. The outward presentation of robust public art fortifies the internal spaces into a calm refuge that is adorned with street art frames and canvasses. The notion of hive as home has been extracted from the facade and reappears through the fitout in various guises. Photobucket Photobucket Photobucket


Photobucket Photobucket Photobucket Photobucket Photobucket 'The Graz-based design collective SPLITTERWERK was commissioned to design this headquarters building for PRISMA Engineering, a machine and motor technology company also located in Graz. The objective was to design a structure which could house the company’s various research and development programs, and selectively showcase the work to a varied range of often competing clientele. Thus the building design needed to accommodate both high- end testing and presentation without jeopardizing the security and secrecy with which the work is developed. The building form approximates a cube, measuring 18.125 x 18.125 x 17m, wrapped on all four elevations with a pixilated pattern of square panels. From a distance, these panels appear to be painted in a range of ten values of grey tone, together dematerializing the volume of the building against both the trees of the surrounding site and the clouds and sky. Thus the cubic building is at once monumental in its objecthood in the open landscape – scale-less and immaterial – and yet utterly non-iconographic in its overall form.' Link here. Photobucket Photobucket

Nicolas Feldmeyer

Photobucket Photobucket Photobucket Swiss artist Nicolas Feldmeyer’s Untitled (Woven Portico), which raps the portico of University College London’s main building (Spring 2011). Photobucket Photobucket

Klein Bottle House

Photobucket Photobucket Photobucket Photobucket Klein Bottle House is a 2,777 square foot holiday home located in the Mornington Peninsula (located south-east of Melbourne in Victoria, Australia). It is designed by Australian studio McBride Charles Ryan. Photobucket Photobucket Photobucket

Gourmet Tea Pop-up Shop

Photobucket Photobucket Photobucket 'Located in the Cidade Jardim shopping center in the Brazilian city, this tea shop doesn’t go unnoticed; even when it’s folded down into it’s hidden state.' Click here for the link. Photobucket Photobucket

AME-LOT (Student Residence)

Photobucket Photobucket Photobucket AME-LOT by Stephane Malka Architecture: "In reality, ecological strategies often generate an over-production of materials, becoming energy-vores and clients of factories, the polluters of the world. The real ecological combat is within the re-appropriation of materials and experimentations with ready-made objects, far from the so-called benevolence of subsidized agencies. The student housing on rue Amelot is a project that inserts itself into an urban interstice: the thickness of a blind wall. It’s within the thickness of these walls that this thin building is constructed. The urban form is a strict extension of the blind walls, which houses using the existing. No building is destroyed, and no pollution generated. The skin consists of an existing module: the wooden pallet. Held using horizontal hinges, the pallets contract towards the top, allowing privacy or large openings. The modularity of the various palettes creates varied geometries, which are based on use and constantly regenerated. The re-appropriation of materials recycles the existing without additional processing, which would cost energy in terms of production and create byproduct pollution. The real environmental approach consists not in destruction, but in superimposing interventions upon our built heritage. It consists of a new land strategy, unreferenced on a parcel, constructed in a de facto “ecology” of means." Photobucket Photobucket