A stunning unconvential Hill House located near Melbourne, Australia, designed by Andrew Maynard Architects.
This four-storey building, for European bank BTV by Austrian architect Rainer Köberl ‘suggests a chessboard, but also has something of the white snow-covered mountains that surround Innsbruck’. Link here.
‘Norway’s Havøysund Tourist Route is a beautiful concrete structure located in the High North where the country’s sprawling mountains meet the Arctic Ocean. Designed by Norwegian Architects, Reiulf Ramstad, the twisting structure is equal parts art and function by serving as an unconventional ramp leading visitors through the rugged terrain down to the water. It’s also one of Norway’s 18 national tourist attractions encouraging visitors and locals to slow down and take in the country’s natural beauty.’
At 82 stories and over 1.9 million sf, Aqua Tower is one of few high-rises in the world that creates a community on its façade. With a hotel, apartments, condominiums, parking, offices, and one of Chicago’s largest green roofs, this multi-use tower demonstrates both architectural and technical achievements. Its outdoor terraces—which differ in shape from floor to floor based on criteria such as views, solar shading and dwelling size/type—create a strong connection to the outdoors and the city, as well as form the tower’s distinctive undulating appearance. (Architects: Studio Gang Architects)
The Hive Apartment was designed by architect Zvi Belling of ITN Architects. This site was specifically selected for a graffiti/architecture project. The ideas in the building have been refined over time by the designer in prior competitions, publications and collaborations with street artists. The architect developed the project with his neighbour (aka Prowla), a respected old school Melbourne graffiti ‘writer’ who contributed the design of the graffiti letters. The external precast concrete walls of the apartments are inscribed with these letters and other hip hop iconography. The graffiti relief panel spells HIVE written in ‘wild style’ with some initiation into the cultural codification of letters being required to decipher the words. These external geometries directly determine the interiors and have been extruded into living spaces in bulkheads and wall shapes. There are inherent tensions in the building where graffiti complete with spray drip effect has been created without any paint and an anti-establishment art form has been situated in an exclusive inner city residential suburb. These tensions are resolving over time as respect for the building spreads within the graffiti community and the local residents begin to claim ownership of their new street art. The outward presentation of robust public art fortifies the internal spaces into a calm refuge that is adorned with street art frames and canvasses. The notion of hive as home has been extracted from the facade and reappears through the fitout in various guises.
‘The Graz-based design collective SPLITTERWERK was commissioned to design this headquarters building for PRISMA Engineering, a machine and motor technology company also located in Graz. The objective was to design a structure which could house the company’s various research and development programs, and selectively showcase the work to a varied range of often competing clientele. Thus the building design needed to accommodate both high- end testing and presentation without jeopardizing the security and secrecy with which the work is developed. The building form approximates a cube, measuring 18.125 x 18.125 x 17m, wrapped on all four elevations with a pixilated pattern of square panels. From a distance, these panels appear to be painted in a range of ten values of grey tone, together dematerializing the volume of the building against both the trees of the surrounding site and the clouds and sky. Thus the cubic building is at once monumental in its objecthood in the open landscape – scale-less and immaterial – and yet utterly non-iconographic in its overall form.’ Link here.